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題名:吳淇《六朝選詩定論》中的視覺闡發
書刊名:中正漢學研究
作者:鄭婷尹
作者(外文):Cheng, Ting-yin
出版日期:2017
卷期:2017:2=30
頁次:頁45-79
主題關鍵詞:吳淇六朝選詩定論視覺Wu QiLiuchao xuanshi dinglunVision
原始連結:連回原系統網址new window
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  • 共同引用共同引用:266
  • 點閱點閱:7
《六朝選詩定論》乃清初重要之評注本,單由視覺即可見吳的獨到見解。他對俯視仰觀之闡釋,展現單純物色句中人活動的身影,可見他對人主體性之重視;原詩已見俯仰字眼者,則以闡明背後深意為主。在「望」的闡發中,吳重視「即使不見目標物仍堅持遠望」之情,而在視覺流轉的闡述中強化情思。至於望與空間方位,則可見客觀距離中的主觀情思;眺望某空間所生之歷史懷想;對南北的闡發則可納入士人重視君臣家國的傳統。至於顧望與徘徊佇立的限定搭配,可見兩者連動的樣貌,吳對身體共振引發情思之關鍵性誠多所留意。光覺部分吳費心闡述虛幻難掌握之光影,並指出光影較其他實景更能塑造挑動情思之氛圍。誰之「見界」的分析,則提供讀者多元觀看詩歌的視角。吳視覺闡發乃尊經主張之具體實踐,能發人所未發,可見於詩評史上之價值。
Liuchao xuanshi dinglun have a lot of insightful poetry reviews in the early Qing dynasty. Wu Qi's special insight can be seen from his visual observations. From the explanation of looking up and down, Wu Qi demonstrated human activities in sentences of poems purely describing objects by means of vision, from which we see Wu's emphasis on the subjectivity of human beings. If the phrases of looking up and down explicitly appeared in poems, Wu focused on the explanation of insights behind poems. In the explanation of looking forward, Wu Qi emphasized on the emotion about "even poets cannot see the targets, they still insist on looking forward". It will strengthen poem emotions by Wu's expounding on flows of sights. As to "looking forward" and "space and locality", we can see subjective feelings in his explanation of objective distances. Besides, Wu showed historical thinking on the exploration of overlooking a certain space. His elucidation about north and south could bring in the tradition which scholars attach importance to monarch and emperor. When the view is limited with wandering and standing, we can see gearing between both things. Wu paid more attention on criticality body resonance triggering for emotions and thought. In the appearance of lighting, we discuss how Wu Qi carefully explained illusory and changeable light and shadows. He showed that light and shadows could more vividly create an atmosphere for arousing poem affection than other real objects did. Finally, the analysis of "Who observes the objects?" could provide readers different perspectives on reading poetry. Wu Qi's explanation of vision is a specific practice of his respecting classic proposition. His poetry reviews contain ideas that have not been explored before. The value of Wu's poetry reviews in history of poetry criticisms is therefore clear and explicit.
期刊論文
1.景獻力(2009)。吳淇《六朝選詩定論》對《選》詩的重新闡釋。福州大學學報,89。  延伸查詢new window
2.鄭婷尹(20120600)。吳淇對抒情與擬作的看法--以《六朝選詩定論》評陸機擬古詩為例。興大中文學報,31,93-126。new window  延伸查詢new window
3.王繁(2009)。「山」月與「情」月--簡論南朝與初唐月詩中月景與詩情的關係。寧波教育學院學報,11(1)。  延伸查詢new window
4.孔儒(2010)。淺析唐詩中的月文化。語文學刊,2010(10)。  延伸查詢new window
5.宋雪(2009)。月光中的大唐--從月亮意象論唐詩中的青春精神。大眾文藝(理論),2009(20)。  延伸查詢new window
6.黃進德、汪俊(2009)。論吳淇及其《六朝選詩定論》。揚州文化研究論叢,2009(1)。  延伸查詢new window
7.羅長青(2005)。李白、蘇軾詠月詩詞比較談。惠州學院學報(社會科學版),25(1)。  延伸查詢new window
8.龔維英(1988)。中華「日月文化」源流探索。貴州社會科學學報,1988(4)。  延伸查詢new window
學位論文
1.韓志(2010)。吳淇《六朝選詩定論》研究(碩士論文)。安徽師範大學,合肥。  延伸查詢new window
2.劉一錡(2011)。吳淇《六朝選詩定論》研究(碩士論文)。遼寧師範大學,遼寧。  延伸查詢new window
3.鐘張麗(2014)。論吳淇《六朝選詩定論》「三際」中詩與樂的關係(碩士論文)。湖南師範大學,湖南。  延伸查詢new window
圖書
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3.沈德潛(2000)。古詩源。北京:中華書局。  延伸查詢new window
4.鲁道夫‧阿恩海姆、滕守堯、朱疆源(2006)。藝術與視知覺。四川成都:四川人民出版社。  延伸查詢new window
5.吳淇、汪俊、黃進德(2009)。六朝選詩定論。揚州:廣陵書社。  延伸查詢new window
6.范希文。對床夜話。  延伸查詢new window
7.鍾惺、譚元春(2002)。古詩歸。上海:上海古籍出版社。  延伸查詢new window
8.謝靈運、顧紹柏(2004)。謝靈運集校注。臺北:里仁書局。  延伸查詢new window
9.謝朓、曹融南(2001)。謝宣城集校注。上海:上海古籍出版社。  延伸查詢new window
10.湯斌(2010)。湯子遺書。上海:上海古籍出版社。  延伸查詢new window
11.王世貞、陸潔棟、周明初(2009)。藝苑卮言。南京:鳳凰出版社。  延伸查詢new window
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13.吳文治(1997)。明詩話全編。江蘇古籍出版社。  延伸查詢new window
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15.王士禎(2014)。漁洋山人感舊集。上海:上海古籍出版社。  延伸查詢new window
16.陸時雍、任文京、趙東嵐(2010)。古詩鏡。保定:河北大學出版社。  延伸查詢new window
17.王夫之(1989)。古詩評選。長沙:嶽麓書社。  延伸查詢new window
18.方回、李慶甲(2005)。瀛奎律髓彙評。上海古籍出版社。  延伸查詢new window
19.陳祚明、李金松(2008)。采菽堂古詩選。上海:上海古籍出版社。  延伸查詢new window
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26.曹學佺(1983)。石倉歷代詩選。臺北:台灣商務。  延伸查詢new window
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33.胡應麟。詩藪。  延伸查詢new window
34.宋徵璧(1999)。抱真堂詩話。上海:上海古籍出版社。  延伸查詢new window
35.莫里斯‧梅洛龐蒂、姜志輝(2005)。知覺現象學。北京:梅洛龐蒂。  延伸查詢new window
36.莫里斯‧梅洛龐蒂、張大春、張堯均(2005)。行為的結構。北京:梅洛龐蒂。  延伸查詢new window
37.莫里斯‧梅洛龐蒂、楊大春(2007)。眼與心。北京:梅洛龐蒂。  延伸查詢new window
38.王士禎(1983)。河南通志。臺北:臺灣商務印書館。  延伸查詢new window
39.魯道夫‧阿恩海姆、滕守堯(2007)。視覺思維。成都:四川人民出版社。  延伸查詢new window
40.陳秋宏(2015)。六朝詩歌中知覺觀感之轉移研究。臺北:新文豐。new window  延伸查詢new window
41.韓桂玲(2011)。吉爾德勒茲身體創造學研究。南京:南京師範大學出版社。  延伸查詢new window
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43.龔卓軍(20060000)。身體部署:梅洛龐蒂與現象學之後。臺北:心靈工坊。new window  延伸查詢new window
圖書論文
1.鈴木虎雄、洪順隆(1979)。魏晉南北朝時代的文學論。中國詩論史。臺北:臺灣商務印書館。  延伸查詢new window
2.魯迅、吳中傑(2000)。魏晉風度及文章與藥及酒之關係。魏晉風度及其他。上海:上海古籍出版社。  延伸查詢new window
 
 
 
 
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