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題名:蔡岳勳後儒家影視劇的東亞國際化與市場競爭
書刊名:新聞學研究
作者:賴以瑄 引用關係
作者(外文):Lai, Jocelyn Yi-hsuan
出版日期:2018
卷期:135
頁次:頁49-92
主題關鍵詞:臺灣影視東亞流行文化東亞影視市場後儒家電視劇華語影視新儒家電視劇Chinese-language film and TVEast Asian film and TV marketEast Asian pop cultureNeo-Confucian TV dramaPost-Confucian TV dramaTaiwanese film and TV
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:118
  • 點閱點閱:21
期刊論文
1.Lo Kwai-cheung(2005)。There is No Such Thing as Asia: Racial Particularities in the 'Asian' Films of Hong Kong and Japan。Modern Chinese Literature and Culture,17(1),133-158。  new window
2.魏玓(20061000)。合製文化:反思全球化下的國際電影合製。新聞學研究,89,127-164。new window  延伸查詢new window
3.陳韜文(20040600)。社會互信與專業主義的貧乏:對臺灣大選的觀察。中華傳播學刊,5,11-14。new window  延伸查詢new window
4.Chua, Beng Huat(2004)。Conceptualizing an East Asian Popular Culture。Inter-Asia Cultural Studies,5(2),200-221。  new window
5.程紹淳(20101000)。後冷戰時期文化的彈性資本積累:從臺灣通俗文化工作者瓊瑤的創作軌跡談起。新聞學研究,105,45-84。new window  延伸查詢new window
6.賴以瑄(20110400)。國家、無線電視臺、製作人:臺灣電視戲劇節目跨國生產的形成(1989-1992年)。新聞學研究,107,133-172。new window  延伸查詢new window
7.吳介民(20090300)。中國因素與臺灣民主。思想,11,141-157。new window  延伸查詢new window
8.朴炳光(20100700)。胡錦濤時期中國對北韓政策及其對北韓核武問題之認知。全球政治評論,31,27-46。new window  延伸查詢new window
9.馮建三(20071100)。臺灣傳媒及其政策變遷20年:以中國為背景與想像。思想,7,119-139。new window  延伸查詢new window
10.Cho, Younghan(2011)。Desperately seeking East Asia amidst the popularity of South Korean pop culture in Asia。Cultural Studies,25(3),383-404。  new window
11.黃淑鈴(20160100)。地點置入:地方政府影視觀光政策的分析。新聞學研究,126,1-46。new window  延伸查詢new window
12.劉現成(20070300)。美國及其電影業介入臺灣電影市場的歷史分析。電影欣賞,25(2)=130,40-46。  延伸查詢new window
13.羅世宏(20080400)。自由報業誰買單?新聞與民主的再思考。新聞學研究,95,213-238。new window  延伸查詢new window
14.川村由紀(2011)。台韓電視劇在日本市場的發展比較。文化研究月報,118,21-42。  延伸查詢new window
15.林奇伯(2002)。亞洲創新之星:電視製作人柴智屏正當紅。光華,27(9),90-95。  延伸查詢new window
16.林蔓繻、王怡之(20060700)。從塔底到塔頂--侯文詠談改編《白色巨塔》。劇作家,2,18-25。  延伸查詢new window
17.林蔓繻、王怡之(20060700)。可米「胖哥」的偶像劇王國。劇作家,2,38-43。  延伸查詢new window
18.馬自明(2011)。台灣的「好萊塢夢」:蔡岳勳要當史匹柏。財訊,387,80-83。  延伸查詢new window
19.馬自明(2011)。電影還沒上演,資金先回收一半!。財訊,387,90-92。  延伸查詢new window
20.張嘉容(2006)。蔡岳勳x于小慧:造夢雙人組。誠品好讀,66,55-57。  延伸查詢new window
21.葛大维(2012)。打造好萊塢等級的商業電影:蔡岳勳與《痞子英雄》。台灣光華,37(3),40-49。  延伸查詢new window
22.Chang, Y. K.(1994)。Special 301 and Taiwan: A case study of protecting United States intellectual property in foreign countries。Northwestern Journal of International Law and Business,15(1),206-230。  new window
23.De Bary, W. T.(1984)。Neo-Confucian education and post-Confucian East Asia。Bulletin of the American Academy of Arts and Sciences,37(5),7-17。  new window
24.Fore, S.(1993)。Tales of recombinant femininity: The Reincarnation of Golden Lotus, the Chin P'ing Mei, and the politics of melodrama in Hong Kong。Journal of Film and Video,45(4),57-70。  new window
25.Liew, K. K.(2011)。Post-Confucian East Asian television dramas: Staging medical politics inside the White Tower。International Journal of Cultural Studies,14(3),251-264。  new window
26.Tsai, E.、Shin, H.(2013)。Strumming a place of one's own: Gender, independence and the East Asian pop-rock screen。Popular Music,32(1),7-22。  new window
27.Yang, F. C. I.(2012)。From Korean Wave to Korean living: Meteor Garden and the politics of love fantasies in Taiwan。Korea Observer,43(3),419-445。  new window
28.Yeh, Emilie(2014)。Bentu: Marketplace and sentiments of contemporary Taiwan cinema。Asian Cinema,25(1),7-13。  new window
29.Ishii, K.、Su, H.、Watanabe, S.(1999)。Japanese and U.S. programs in Taiwan: New patterns in Taiwanese television。Journal of Broadcasting & Electronic Media,43(3),416-431。  new window
學位論文
1.高啟翔(2004)。全球與本土的連結:以文化融合理論檢視台灣「偶像劇」(碩士論文)。國立交通大學,新竹市。  延伸查詢new window
2.賴以瑄(2008)。彈性的生產與認同:鑲嵌在冷戰東亞與文化位階中的「合拍劇」(碩士論文)。國立臺灣師範大學。  延伸查詢new window
3.葉思吟(2011)。媒介城市:當代高雄空間改造與意象建構(博士論文)。世新大學。new window  延伸查詢new window
4.Lai, Y. H.(2016)。Articulating East Asia: Inter-Asian packaging of Taiwanese idol drama in the twenty-first century(博士論文)。King's College London。  new window
圖書
1.彭麗君(2010)。黃昏未晚:後九七香港電影。香港中文大學出版社。  延伸查詢new window
2.Zhu, Ying(2008)。Television in post-reform China: Serial dramas, Confucian leadership and the global television market。Routledge。  new window
3.Iwabuchi, Kōichi(2002)。Recentering Globalization: Popular Culture and Japanese Transnationalism。Duke University Press。  new window
4.Roy, Denny(2013)。Return of the Dragon: Rising China and Regional Security。Columbia University Press。  new window
5.Iwabuchi, K.(2004)。Feeling Asian modernities: Transnational consumption of Japanese TV dramas。Hong Kong:Hong Kong University Press。  new window
6.Curtin, Michael(2007)。Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV。University of California Press。  new window
7.Cai, S. S.(2016)。State propaganda in China's entertainment industry。Routledge。  new window
8.Chen, Kuan-Hsing(2010)。Asia as Method: Toward Deimperialization。Duke University Press。  new window
9.馮建三(1995)。廣電資本運動的政治經濟學:析論1990年代臺灣廣電媒體的若干變遷。臺北市:臺灣社會研究雜誌社。new window  延伸查詢new window
其他
1.(20020312)。《流星花園》禁播實錄,http://www.china.com.cn/chinese/VOL/119016.htm。  延伸查詢new window
2.Maple(20150430)。出走是為了更好的明天?台灣導演在中國大陸的夢想與賭注,http://punchline.asia/archives/10712。  延伸查詢new window
3.子川(20150522)。專訪易智言導演:台灣電影需警惕香港前車之鑒,http://www.bbc.co.uk/zhongwen/simp/china/2015/05/150522_iv_yizhyan。  延伸查詢new window
4.文化部(20131231)。2012年影視廣播產業趨勢研究調查報告_電影,http://stat.moc.gov.tw/Research_Download.aspx?idno=56。  延伸查詢new window
5.文化部(20170331)。2015年影視廣播產業趨勢研究調查報告_電影,http://stat.moc.gov.tw/Research_Download.aspx?idno=75。  延伸查詢new window
6.方念華(2009)。101高峰會(專訪蔡岳勳),臺北:聯意製作股份有限公司。  延伸查詢new window
7.王雅蘭(20120921)。蔡岳勳獲資金2年衝四部戲。  延伸查詢new window
8.王思涵(20160202)。Netflix襲台 台灣電視現在轉型還來得及嗎?專訪東森自製節目中心總監劉慧婕,http://punchline.asia/archives/20659。  延伸查詢new window
9.李衣雲(2007)。2000年代在日本的「台流」與「韓流」之調査與比較,http://nccur.lib.nccu.edu.tw/handle/140.119/55231。  延伸查詢new window
10.李維菁,張鐵志(20170102)。【文學相對論】李維菁VS.張鐵志(四之一)90年代,https://udn.com/news/story/7048/2204651。  延伸查詢new window
11.林志勳(20121203)。李行中斷化療開兩岸合拍片活路。  延伸查詢new window
12.吳月玲(20120629)。做沒有界限的華語電影--專訪電影《痞子英雄》導演蔡岳勳,http://www.cflac.org.cn/ys/xwy/201206/t20120629_140154.html。  延伸查詢new window
13.邱莉玲(20120202)。導演蔡岳勳用片子養產業打造夢工場。  延伸查詢new window
14.洪秀瑛(20070922)。白色巨塔登陸梁修身總統降級董事長。  延伸查詢new window
15.陳慧貞(20050311)。大S仔仔東京掀戰神熱。  延伸查詢new window
16.搜狐娛樂(20050510)。華娛衛視首播《戰神》提前看大S和仔仔飆戲,http://yule.sohu.com/20050510/n225503829.shtm。  延伸查詢new window
17.搜狐娛樂(20090624)。組圖:《痞子英雄》華娛開播 電影版開拍在即,http://yule.sohu.com/20090624/n264724283.shtml。  延伸查詢new window
18.馮議賢(20060301)。白色巨塔劇情大綱網友批舔共。  延伸查詢new window
19.黃玉芳(20060903)。白色巨塔劇情影射台大。  延伸查詢new window
20.普拉嘉國際意像(20080610)。【製作紀實】困難重重的開始,夢想是我們的指南針,www.wretch.cc/blog/prajnaworks/15532722。  延伸查詢new window
21.葉宜欣(20041023)。戰神今晚终戰。  延伸查詢new window
22.葉宜欣(20070405)。蔡岳勳白塔攻日海撈四千萬。  延伸查詢new window
23.褚珮君(20071012)。失言被打壓?白塔上海失利。  延伸查詢new window
24.褚珮君(20090413)。痞子英雄被批不敢用台灣警徽。  延伸查詢new window
25.楊文杰(20041222)。周渝民、大S攜手《戰神》偶像劇可以是“灰色”,http://big5.eastday.com:82/gate/big5/enjoy.eastday.com//eastday/enjoy/xw/ysxw/userobject1ai736505.html。  延伸查詢new window
26.楊濡嘉,謝梅芬(20091008)。痞劇跨國宣傳高市跟著宣傳。  延伸查詢new window
27.董育麟(20071205)。蔡岳勳與他夢想的影視101,http://www.taiwancinema.com/Infofeatures/InfofeaturesContent/?ContentUrl=55753。  延伸查詢new window
28.蔡岳勳(20040918)。為電視劇理想打拚我並不孤單。  延伸查詢new window
29.膝關節(20121203)。李行導演衝衝衝,愛護你的膝關節!,http://blog.roodo.com/bluel989/archives/21225330.html。  延伸查詢new window
30.鄭秉泓(20140828)。影評/大宅們:朱延平的老派突圍,http://star.ettoday.net/news/394567。  延伸查詢new window
31.鄭秉泓(20141014)。影評/《痞子英雄2》:少了溫度的爆破,http://star.ettoday.net/news/412905。  延伸查詢new window
32.劉瑋(2005)。台灣電視金鐘獎揭曉《戰神》奪電視劇最高獎項,http://ent.people.com.cn/GB/42075/3851978.html。  延伸查詢new window
33.藍祖蔚(2009)。痞子英雄:專訪蔡岳勳,http://4bluestones.biz/mtblog/2009/06/post-1341.html。  延伸查詢new window
34.Cremin, S.(20130320)。Taiwan cinema: North or south?,http://newfiImbizasia.herokuapp.com/news/taiwan-cinema-north-or-south。  new window
圖書論文
1.Zhu, Y.(2008)。Yongzheng Dynasty and totalitarian nostalgia。TV drama in China。Hong Kong:Hong Kong University Press。  new window
2.Chen, Yi-Hsiang(2008)。Looking for Taiwan's Competitive Edge: the Production and Circulation of Taiwanese TV drama。TV Drama in China: Unfolding narratives of Tradition, Political Transformation and Cosmopolitan Identity。Hong Kong:Hong Kong University Press。  new window
3.蔡岳勳(2006)。一點一滴建構出的白色巨塔。白色巨塔寫真書。臺北:台灣角川。  延伸查詢new window
4.Ang, I.(2004)。The cultural intimacy of TV drama。Feeling Asian modernities: Transnational consumption of Japanese TV dramas。Hong Kong:Hong Kong University Press。  new window
5.Bai, R.(2015)。"Clean up the screen": Regulating television entertainment in the 2000s。Chinese television in the twenty-first century: Entertaining the nation。Abingdon:Routledge。  new window
6.Deppman, H. C.(2009)。Made in Taiwan: An analysis of Meteor Garden as an East Asian idol drama。TV China。Bloomington, IN:Indiana University Press。  new window
7.Huang, Y. C.(2008)。Pink dramas: Reconciling consumer modernity and Confucian womanhood。TV drama in China。Hong Kong:Hong Kong University Press。  new window
8.Kim, B. K.(2008)。Between China, America, and North Korea: South Korea's hedging。China's ascent: Power, security, and the future of international politics。Ithaca, NY:Cornell University Press。  new window
9.Lin, A.、Tong, A.(2008)。Re-imagining a cosmopolitan "Asian us": Korean media flows and imaginaries of Asian modem femininities。East Asian pop culture: Analysing the Korean Wave。Hong Kong:Hong Kong University Press。  new window
10.MacLachlan, E.、Chua, G. L.(2004)。Defining Asian femininity: Chinese viewers of Japanese TV dramas in Singapore。Feeling Asian modernities: Transnational consumption of Japanese TV dramas。Hong Kong:Hong Kong University Press。  new window
11.Samuels, M. S.(2012)。Banned in China: The vagaries of state censorship。Popular culture and the state in East and Southeast Asia。Abingdon:Routledge。  new window
12.Wu, Jieh-Min(2015)。Taiwan after the colonial century: Bringing China into the foreground。Comparatizing Taiwan。Routledge。  new window
13.Yeh, E. Y. Y.(2006)。The disappearing act: Taiwan popular cinema。Contemporary Asian cinema: Popular culture in a global frame。Oxford:Berg。  new window
14.Yeh, Emilie Yueh-yu(2010)。The deferral of pan-Asian: A critical appraisal of film marketization in China。Reorienting global communication: Indian and Chinese media beyond borders。University of Illinois Press。  new window
 
 
 
 
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