本文以葉石濤於2000年增訂出版的《西拉雅末裔潘銀花》爲主要分析文本，一方面探討小說脈絡中（多）種族融合的圖景展現，以及葉石濤如何透過平埔族女性「大地之母」的空間象徵，迫使其分別與五位異族男性進行跨種族的交媾，終於建構出「臺灣是多種族的移民社會」的詮釋。另一方面，更進一步的關注焦點在於種族議題如何透過小說主角潘銀花的被性慾化，更加鞏固父權的支配－即原住民女性受「殖」（生殖）者的顯影，進而探觸葉石濤自身所懷抱的寫作實踐、在地觀與歷史詮釋等意識形態的政治性。 當葉石濤意圖賦予平埔族女性極高的能動性(agency)時，人物的塑造卻涉及既存的差異和當地人視域(the native's horizon)等問題，以致於書中呈現出複雜矛盾的種族／性別／性慾三者糾結的畸異女性，不難發現葉石濤的（多）種族書寫是必須透過平埔族女性潘銀花的被性慾化，甚至視其爲「臺灣人」的孕育母體，才能完成父權制下的臺灣意識（及其論述）建構工程。

This paper aims to discuss the new edition of Siraya mo i Pan Yin-hua by Yeh Shih-tao. On one hand, the main goal is to explore the conglomeration of (multi-) racial development. By using the spacial symbols of "Mother Earth" of Ping-pu women, Yeh Shih-tao ultimately constructs the interpretation of "Taiwan as a multi-racial immigrant society" with the sexual intercourse of "Mother Earth" and five male who are from other ethnic groups respectively. One the other hand, this paper further focuses on how racial issue strengthens the dominance of patriarchy through the Pan Yin-hua's being sexualized. The purpose of this argument is to discover Yeh Shih-tao's political ideologies of his practice of writing, sense of locality, and historical interpretation, etc, by mapping the role of indigenous female genitors who are "fertilized." When intending to give Ping-pu women the extreme agency, the characterizations has to do with the problems like the existed differences and the native's horizon. Hence, the novel presents the distorted female who is connected to the complicated and paradoxical intersections of race, gender, and sexuality. Undeniably, Yeh Shih-tao's multi-racial writing which leads to the construction of Taiwan consciousness (and its discourses) under the patriarchal structure could not be complete without Pan Yin-hua's being sexualized, even regarding it as the matrix of the "Taiwanese."