This study employed the concept of intertextuality as its research strategy to explore novels by Lin Hui-Yin and Ling Shu-Hua, two female writers of the early May Fourth Movement, to uncover the textual contents and techniques that were inspired by British and Russian writers. Take, for instance, Ninety-Nine Degrees by Lin Hui-Yin and Mrs. Dalloway by Virginia Woolf. Both writers have exercised their talent for psychological nanation with the technique of stream of consciousness. The two novels exhibit three kinds of intertextual relationship: a simulation of life's complexity with an emphasis on social classes, a city life screened by visual filters, and a core to generate sentiments and atmospheres. As another example, Ling Shu-Hua is related to Chekhov and Mansfield in terms of writing about women’s issues. According to the intertextual readings conducted by Su Xue-Lin and Chen Xue-Yong, both Lin Shu-Hua and Mansfield are concerned with women’s issues as a source of their writing, and the essence of Chekhov’s work can be found in Lings novels with regard to their narrative anangement and conclusion. Meanwhile, this paper recognizes Lin Shu-Hui for her efforts to cultivate new subject matters for fiction, as well as for the creation of Europeanized novels.