摘 要 本文是以《全臺賦》及其影像集所載鸞書賦的文本為範圍，做賦體文學 的研究。先考察臺灣出現鸞書賦之時代背景，探討臺灣鸞堂何以在1896 至 1902 年之間，有此體製大量的產生？分析1915 年以後鸞堂賦產生的變化， 推敲其變化的可能原因。接著為今見臺灣鸞書賦的主題內容予以分類，並討 論出現其主題內容的背景因素；然後作形式結構的歸納，將降筆神仙與鸞書 風格作綜合之考察，以了解臺灣鸞書賦的特色。

Abstract This article explores the characteristics of the Flying Phoenix Rhapsodies (Spirit-writing, planchette, Deng Luan Fu, or Luan Shu Fu) in Complete Works of Rhyme-Prose(fu) of Taiwan (《全臺賦》) and Photographic Copies of Original Work of Publications(PartⅠ andⅡ) (《全臺賦影像集》(上)、(下)). This paper addresses the following issues: Why the Flying Phoenix Rhapsodies mushroomed from 1896 to 1902? What might be the major causes of the changes in Flying Phoenix Rhapsodies after 1915? To recognize their characteristics, there are three perspectives we adopt: first, we classify the Flying Phoenix Rhapsodies by subjects and illustrate their socio-political backgrounds. Second, we categorize some of their forms and structure shown in the works. Third, we investigate the styles appearing in the Flying Phoenix Rhapsodies, which might reveal the distinctive characteristics the descending deities (降筆神仙) have. Through all these descriptions of the changes due to the socio-politicalbackgrounds, subjects, forms, structures, and styles, readers will get a full view of the Flying Phoenix Rhapsodies of Taiwan.