The intention of this article was trying to analyzed the object description in the stories of Liao-zai-zhi-yi. Through the acknowledgement of objects, the author focused on the interaction of human and the objects, and turned materials into the objects of appreciation. In this article, the author mentioned three stories in the book of Liao-zai-zhi-yi which was written by Pu, Songling. The first story, the oddity of pigeon, it started from raising the animal as pet, treating the pet as a favorite object, owning the pet as its master, and even consume it as the mentality of ownership continue to grow. The second story, eight kings, Pu described how people were eager to own the precious object, and how ownership can turn into danger of confronting robbery or fear of losing it. In this story, Pu also gave the psychological aspects of approach-and- avoidance conflict toward a treasury. It has contained not only a traditional meaning but also yield the way of healing. In the final story, Pu talked about a stranger named Yu De who came to live in a village. Yu De’s collection had raised curiosity, craze and greed of villagers. But at the end of the story, Yu De disappeared and all his fantastic collections were also vanished, nothing but empty yard, burned candle, finger prints and broken jar left. This story has given readers introspective thoughts toward the oddity of object as well as its nature of disillusion. The description of the objects in the book of Liao-zai-zhi-yi has sprung the thoughts of sensation and perception for readers. In the stories, throughout the exchange and interaction between human and the objects, it has opened a multiple dialog for lifestyle, cultural trend, social system, mainstream value and for human’s affections as well.