Experiencing four time-periods, including the late Qing Dynasty, Taiwan's Democratic Country, the Japanese Occupation, and the post-war Taiwan, Huang Chun-Qing (1875 to 1956), a Taiwanese poet and literati ranged between the traditional and the contemporary era. During the Japanese Occupation, he founded "Chant Ni Poetry" together with Liu Keming and other poets, took part in "Ying Tung Small Club", "Taoyuan Poetry Society," "Ocean Society", and "Shue Poetry Society" and “ Yuen Club” in his hometown. Many of his works were often published in "Taiwan Daily News" and other publications. He constantly dominated the local literary field for a certain time. After World War II, he established "Vega Poet Society", attended “Heart Club”, and first set up the National Congress of Poets. Living at “Sunny Garden” in his old age, he read, planted plum trees, compiled chronicles, poems, and documents, but only completed the first volume of “Sunny Garden Poetry” whose copy of the manuscripts was issued by Longwen Publishing House. It was collected as part of “Taiwanese Former Scholars’ Poetic Collection Archive". The manuscripts of Huangchun Qing were donated by his son, Huanday Shee, to the Museum of Taiwanese Literature. Through the research of Huangchun Qing’s participation in the activities of poetry clubs, this article is to compare and study his behavior between the periods of Japanese Occupation and Chiang-kai-shek’s KMT Government s. In this way, it is supposed to explore the said poet’s intrinsic thoughts and how he adapted the trend in different environments. Also it helps understand his literary achievements and elegant image.