During Japanese colonial period, there was a prosperous development of traditional poetic organizations in Taiwan, which marked an extraordinary phenomenon in Taiwan's literary arena. Among these poetic organizations, there were three remarkable ones established in the northern, middle and southern Taiwan, the names of which were ”Ying”, ”Li” and ”Nan” respectively. Owing to their high reputation, they were referred to as ”Three Main Poetic Organizations in Taiwan” whose leaders and members were usually known as elites and the gentry. Among fields of media, culture and politics, these people basically had their fame and influence. Literary activities of ”Ying” and ”Li” were still held frequently even after WWII. ”Ying” still operates till now, but literary activities in ”Li” declined gradually during the 60's. The rise and fall of these two poetic organizations demonstrated various factors resulting in transformations of politics, society, and culture for nearly a hundred year in Taiwan.Due to more and more emphasis laid on the study of Taiwan literature and history, National Museum of Taiwan Literature had held symposiums about ”The Memorial Conference on the One Hundred Year Anniversary of ”Li” poetic organization” and ”The Memorial Conference on the One Hundred Year Anniversary of ”Ying” poetic organization” respectively in recent years, discussing these two poetic organizations with different aspects, which affected the author to focus on the topic, ”Two Traditional Poetic Organizations in Taiwan in Twentieth Century: The Comparison and Contrast between ”L” and ”Ying.” The author tried to compare and contrast ”Li” with ”Ying” through their foundation backgrounds, organizational characteristics, mutual interactions, types of literary activities, process of developments, and factors of their rise and fall. Based on these multiple analysis and observations, the author aimed to have deeper understanding of the characteristics of traditional poetic organizations in Taiwan from Japanese colonial period to postwar years and their relations with Taiwan society and cultural environment.