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題名:論李維史陀的結構主義神話觀
書刊名:東吳社會學報
作者:高宣揚
出版日期:1992
卷期:1
頁次:頁1-51
主題關鍵詞:李維史陀神話觀結構主義Claude Levi-Strauss
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:863
  • 點閱點閱:45
     Inspired by Claude Levi-Strauss' recent work Histoire de lynx (Paris, 1991) and focusing on the fundamental Amerindian mythical notion of dual structure, this paper develops and re-examines Levi-Strauss' structural theory of myth in four aspects: Part One gives a general analysis of the fundamental structure of Levi-Strauss' work on myths as a whole, defines the logic of structural analysis of myths and puts into proper perspective the questions it poses. Part Two briefly reviews the goals and significance of the structural analysis of myth and argues that it provides a model of scientific method for social sciences as a whole. In analyzing a series of Amerindian myths, Levi-Strauss sheds new light on the logical development and structure of myth. He shows that the intellectual process involved in mythical thought is as rigorous as that of scientific thinking-an important theme which he develops at great length in his recent book-Histoire de lynx. Part three is the most developed. It emphasizes, first of all, the differences between structuralism and formalism from a theoretical point of view. More attention is then given to the process of structural analysis of myth based on the organizations of mythemes which result from a play of binary or ternary oppositions. The true constituent units of a myth are not the isolated relations but clusters of such relations, and it is only as clusters that these relations can be put to use and combined so as to produce a meaning. Every myth (considered as the aggregate of all its variants) is an intermediary entity between a statistical aggregate of molecules and the molecular structures themselves. Part four, comparing the four families of structures (mathematical, linguistic, musical, and mythical), the writer, attempt to penetrate the deep structure of myth which can be treated as a conceptual model for other aspects of culture.
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