Guo, Xi and his son, Guo, Si, compiled his aesthetics on paintings into a book, ”Lin Quan Gao Zhi”, which is an important classic in the history of Chinese painting. This book was meant to describe Guo, Xi's aesthetics on paintings, which was organized, explained and communicated by Guo, Si. The chapter of ”Shanshui Xun” expresses most clearly Guo, Xi's aesthetic thought on landscape paintings. This chapter considers landscape paintings to be the approach and state of a litterateur's spiritual cultivation, assimilating both Confucianism and Taoism while transforming and improving one's spiritual state of mind in a richer and more profound way. In ”Shanshui Xun,” Guo, Xi showed the vital and lively ”heart of forests and springs” contained in a litterateur's spiritual state as much as he could through landscape paintings.