梁祝傳說這則流傳已久的經典愛情故事，透過諸多藝術形式的呈現與改編，足見其歷久不衰的魅力。本文擬以三部電影版本《梁山伯與祝英台》、《梁祝》與《蝴蝶夢—梁山伯與祝英台》為探討文本，以性別議題為主，剖析其中蘊含的文化意義；同時比較人物形象與情節安排的歧異，藉此討論動畫版改編策略背後隱含的意義。

The everlasting charm of the classic love story Liang San-po and Chu Ying-tai is measured by the numerous adapted versions represented by various art forms. This article aims to explore cultural messages about gender in three films: Liang San-po and Chu Ying-tai; Liang Chu, and The Butterfly Lovers. The implication of adaptation strategies employed in the animation movie is also discussed by comparing characters and plots in each film.