In present Taiwan, Personification is widely applied in the artists' forming field. To the accompaniment of technology development and personal self-consciousness rising, the personalized products have been becoming a kind of social index for consumes while the cultural creative industry is attached great importance; therefore, there are images of personified forming with humanoid characters appeared in the much more local crafts. Besides, the population and circulation of ACG (Animation、Comic、Game) and the related products also make personification more and more important. Based on these factors, it is changed into the high priority for the designers. There are the own history and background for forming the personification, and it could be observed the unique orientation and appraisal not only in the early stage of mythologies and allegories but also in the modern consumers' desires. The world wide researches about personification focus on rhetoric or religion filed much more than artists' forming field; however, there are greatest resemblances in the creation of literature between the theories of personification and the practice f design. And the metaphor technique of personification that expresses the literature précis can transfer into the cultural symbols. This research is divided into two sections: Section one – To address the origination, background and history of personification and illustrate the evolution of personification by historical approaches and doctrines with reference research and documents. Section two – To analyze the applications and exhibitions of the personified forming in Taiwan nowadays based on the conclusion of Section One. This research would point out the personification reflects the requirement and desire of that society belonging to the projection of human thinking on the basis of human culture and with to provide some opinions.