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題名:走在一條建造家屋之路--論七等生《重回沙河》中的時間光影與生命家屋
書刊名:中正大學中文學術年刊
作者:蕭義玲 引用關係
作者(外文):Hsiao, I-ling
出版日期:2008
卷期:12
頁次:頁201-240
主題關鍵詞:七等生重回沙河觀看家屋宗教性存在自然Qi Deng ShengA return to the sand riverObservationHouseTimeReligiosityModernityNature
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(1) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:123
  • 點閱點閱:43
1980年,四十一歲,且已寫就一百多篇短篇與八篇中長篇小說的七等生,在自覺的寫作瓶頸中,作出了「決定暫時停筆撰寫小說」的重大決定,希望以從頭學起的攝影技藝重新捕捉寫作的靈光與創作的純粹動能,進而找到創作之於自己的意義。學習攝影的同時,亦正是七等生要開始建造生平中的第一間房子之時,因此,一個突圍寫作困局的建造工程遂開始啟動,本文將把攝影、蓋房子視爲一組有意識的創造活動,亦即這是一個以「觀看」來展現生命的「建造/創造」之思的「家屋建造」工程,因此有了以八十九則札記所寫就的《重回沙河》一書。 在看似散漫零碎的八十九則札記中,本文要探討的問題是:在書寫之轉折點上,「攝影」與「蓋房子」二者可以帶給作家什麼啟示?作家如何從中找到寫作的復甦之道?其次,書名爲《重回沙河》-「重回沙河」的隱喻是什麼?究竟,對「決定暫時停筆撰寫小說」的作家言,他所體認到的創作問題爲何?復甦創作的契機爲何存在於「重回沙河」中?最後,在視域融合中,對作品隱喻的探討與掌握,是否亦能對同等關注創作課題的文學研究者產生啟示效用?本文希望透過細讀文本的方式展開討論。
At 41 in 1980 when he was a prolific writer with one hundred-more short stories and eight novels already published, Qi Deng Sheng made an important decision to "suspend his writing novels temporarily" in the wake of having a self-awareness of his writing bottlenecks, in hopes of beginning his photography lesson to recapture his writing inspiration and sheer drive for his creations that further promoted him to be in search of the signification to his creations. The moment when Qi Deng Sheng began his photography lesson came exactly in the time when he started to building the very first house in his life, thus initiating a construction to break out the writing bottlenecks: photography and building house were linked consciously by Qi Deng Sheng as he signified both of the two as a construction of "House Building" to present a thought of life of "Building/Creation" from the perspective of "observation," thus leading to the publication of one work titled "A Return to the Sand River" consisting of 89 reading notes. Among these what looked like 89 pieces of unorganized and fragmentary reading notes, this essay aims to probe into the following core issues: What will "photography" and "house building" in the aspect of transition point for writing inspire people? How will the author search for the ways to revive his writing? Furthermore, what is the metaphor for the title "A Return to the Sand River" to this novel? For a writer who "had decided to suspend his writing temporarily," what are the problems for his writing creation he had perceived? Why did the turning point to revive his writing exist in "A Return to the Sand River?" Finally, will the good command of discussion and exploration into the metaphor of writing works be able to inspire these researchers of literatures who show concern over issues of writing creations? This essay hopes to initiate the related discussions on the preceding issues through a close reading of this work.
期刊論文
1.蕭義玲(20090200)。獻給永恆女神的禱詞--從七等生《譚郎的書信》論藝術實踐與自我完成。臺灣文學研究集刊,5,頁85-123。new window  延伸查詢new window
2.呂正惠(19871200)。自卑、自憐與自負:七等生「現象」。文星,114,116-122。  延伸查詢new window
3.蕭義玲(2007)。內在甦醒的地方,才是吹奏開始的地方─從七等生《沙河悲歌》論生命藝術性的探求。東華漢學,5,173-212。new window  延伸查詢new window
4.蕭義玲(2008)。愛、疏離與暴力─論七等生《精神病患》的疾病與醫療之路。文與哲,13,299-339。new window  延伸查詢new window
學位論文
1.吳孟昌(2006)。七等生小說研究:自我治療的書寫旅程(碩士論文)。靜宜大學,臺中。  延伸查詢new window
2.廖淑芳(2005)。國家想像、現代主義文學與文學現代性--以七等生文學現象為核心(博士論文)。國立清華大學。new window  延伸查詢new window
圖書
1.Tilluch, Paul(1998)。存在的勇氣。存在的勇氣。貴州。  延伸查詢new window
2.Tuan, Y. F.、潘桂成、鄧伯宸、梁永安(2008)。恐懼--人類生活中無所不在的恐懼感。臺北縣:立緒文化出版社。  延伸查詢new window
3.Heidegger, Martin(1993)。林中路。林中路。臺北。  延伸查詢new window
4.安東尼.吉登斯、陳永國、汪民安(2001)。親密關係的變革 : 現代社會中的性、愛和愛慾。北京:社會科學文獻出版社。  延伸查詢new window
5.Covrtdale, Miles。聖經。聖經。  延伸查詢new window
6.七等生(2003)。城之謎。臺北。  延伸查詢new window
7.Jung, Carl Gustav(2006)。人的形象和神的形象。臺北。  延伸查詢new window
8.尤娜、楊廣學(2006)。象徵與敘事:現象學心理治療。濟南。  延伸查詢new window
9.劉再復、林崗(2002)。罪與文學:關於文學懺悔意識與靈魂維度的考察。香港:牛津大學出版社。  延伸查詢new window
10.Jung, Carl Gustav、蘇克(1990)。尋求靈魂的現代人。臺北:遠流出版公司。  延伸查詢new window
11.高行健(2008)。論創作。香港:香港明報月刊出版社和新加坡青年書局聯合出版。  延伸查詢new window
12.May, Rollo、龔卓君、石世明(2001)。自由與命運。台北:立緒文化。  延伸查詢new window
13.耿占春(1993)。隱喻。北京:東方出版社。  延伸查詢new window
14.七等生(2003)。初見曙光。臺北:遠景。  延伸查詢new window
15.七等生(2003)。僵局。臺北:遠景。  延伸查詢new window
16.七等生(2003)。離城記。臺北:遠景出版社。  延伸查詢new window
17.七等生(2003)。銀波翅膀。臺北:遠景。  延伸查詢new window
18.七等生(2003)。重回沙河。台北:遠景出版社。  延伸查詢new window
19.七等生(2003)。我愛黑眼珠。台北:遠景出版社。  延伸查詢new window
20.七等生(2003)。譚郎的書信。台北:遠景出版社。  延伸查詢new window
21.七等生(2003)。一紙相思。台北:遠景出版社。  延伸查詢new window
22.七等生(2000)。沙河悲歌。香港:遠景出版社。  延伸查詢new window
23.Heidegger, Martin、陳嘉映、王慶節(1999)。存在與時間。臺北:桂冠圖書股份有限公司。  延伸查詢new window
24.Jung, C. G.、Hull, R. F. C.(1976)。Symbols of Transformation。New Jersey:Princeton UP。  new window
25.Jung, Carl G.、龔卓軍(2001)。人及其象徵:榮格思想精華的總結。臺北:立緒。  延伸查詢new window
26.周芬伶(2007)。聖與魔:臺灣戰後小說的心靈圖像1945-2006。台北:印刻。new window  延伸查詢new window
27.Ricoeur, Paul、翁紹軍(1992)。惡的象徵。桂冠圖書股份有限公司。  延伸查詢new window
28.Gadamer, Hans-Georg、洪漢鼎(2007)。詮釋學I:真理與方法--哲學詮釋學的基本特徵。北京:商務印書館。  延伸查詢new window
29.王德威(20010000)。眾聲喧嘩以後:點評當代中文小說。臺北:麥田出版社。new window  延伸查詢new window
30.呂正惠(1988)。小說與社會。臺北:聯經出版社。  延伸查詢new window
31.史作樫(2006)。光影中遇見林布蘭。臺北:典藏藝術家庭股份有限公司。  延伸查詢new window
32.Kleinman, Arthur、劉嘉雯、魯宓(2007)。道德的重量:不安年代中的希望與救贖。台北:心靈工坊。  延伸查詢new window
33.Bachelard, Gaston、龔卓軍、王靜慧(2003)。空間詩學。張老師文化事業股份有限公司。  延伸查詢new window
34.Eliade, Mircea、楊素娥、胡國楨(2001)。聖與俗--宗教的本質。桂冠。  延伸查詢new window
35.楊牧(2003)。七等生小說的幻與真。重回沙河。臺北。  延伸查詢new window
36.Elkins, David N.(2007)。超越宗教─在傳統宗教之外構建個人精神生活。超越宗教─在傳統宗教之外構建個人精神生活。上海。  延伸查詢new window
37.Berger, John(2005)。看。看。廣西。  延伸查詢new window
38.Preece, Rod(2008)。榮格與秘宗的29個覺─佛法和心理學在個體化歷程中的文叉點。榮格與秘宗的29個覺─佛法和心理學在個體化歷程中的文叉點。臺北。  延伸查詢new window
39.Jung, Carl Gustav(1980)。Psychology and Religion。The Collected Works of C. G. Jung (Vol. 11)。London。  new window
40.高全之(2003)。七等生的道德架構。銀波翅膀。臺北。new window  延伸查詢new window
其他
1.七等生(19810110)。何必知道我是誰:再見書簡。  延伸查詢new window
2.黃克全(19810110)。精神與自然--七等生小說中的男女關係。  延伸查詢new window
圖書論文
1.張恆豪(1977)。火獄的自焚:七等生小說論評。火獄的自焚:七等生小說論評。臺北。  延伸查詢new window
2.陳國城(2003)。「自我世界」的追求--論七等生一系列作品。離城記。  延伸查詢new window
3.Crary, Jonathan、蔡佩君、王嘉驥(20070900)。觀察者的技術--論十九世紀的視覺與現代性。主觀視覺與感官之分離。台北:行人出版社。  延伸查詢new window
 
 
 
 
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