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題名：Mapping Taiwan Theatrically: The Problematic Narration of Home-Nation
書刊名：小說與戲劇
作者：魏淑美
作者(外文)：Wei, Shu-Mei
出版日期：2008
卷期：18:2
頁次：頁125-150
主題關鍵詞：Theatre studies；Taiwanese identity；National space；Theatricality；Spatial-temporal polemic
原始連結：連回原系統網址new window
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This paper aims to explore the spatial-temporal polemic of Taiwanese identity as theatrically expressed in two productions-Mundane Orphan and Little Town of Tamsui in which Taiwan was imaged as a self-generating Mother Nature figure and as a utopian hometown preserved in the past. Mundane Orphan began with, and ended in, the symbolic birth and re-birth of Taiwan; what lay in between was a realistic presentation of the actors' family stories in which Taiwan was portrayed as a place of crime and corruption. Redemption came in the form of a ritualistic ending where social problems and cultural differences that were previously delineated, disappeared into the homogeneous home-nation space, equated with nature. However, the totalising national space and identity was fractured by the previous delineation of social upheaval and cultural diversity as a consequence of the history of colonisation and modernisation. Little Town of Tamsui (adapted from Thornton Wilder's Our Town) aimed for a collective identification with Tamsui, an ideal hometown whose identity was secured by the transmission of cultural customs and family values. Tamsui incited nostalgia in all the Taiwanese as it signalled a shared good old past and thus constituted as a national space. Little Town of Tamsui misappropriated Wilder's universal humanism into Taiwanese cultural nationalism based on identification with the past in Tamsui. However, the alienating presence of the omnipresent stage manager and Emily's return from death undermined the uncritical formulation of historical continuity that was essential to the narration of national space in Tamsui. Both tried to make a utopia of Taiwan but failed for two reasons. Firstly, Taiwan was delineated as a multi-ethnic community where diversified identities were pitted against the singular form of national identity. Secondly, the attempt to formulate national space through theatrical representation is doomed to failure as this representation always invokes the other space of lived reality that is absent on stage, and thus any identity predicated on the pure reproduction of the other space is not possible.
期刊論文
1.陳昭瑛(19950200)。論臺灣的本土化運動：一個文化史的考察。中外文學，23(9)=273，6-43。new window  延伸查詢new window
2.鍾明德、Huang, Jian-Ye(1993)。Between Our Town and Little Town of Tamsui。表演藝術，8，102-104。  new window
3.吳景欽(1984)。Creating a Theatre that Belongs to Modern Chinese, with Particular Reference to the Lan-Ling Ensemble。Literary Monthly，34-36。  new window
圖書
1.Bhabha, Homi K.(1990)。Nation and Narration。Routledge。  new window
2.Aronson, Arnold(2000)。American Avant-Garde Theatre: A History。American Avant-Garde Theatre: A History。London。  new window
3.Bigsby, C. W. E.(1982)。Critical Introduction to Twentieth-Century American Drama 1900-1940。Critical Introduction to Twentieth-Century American Drama 1900-1940。Cambridge。  new window
4.Blank, Martin(1996)。Critical Essays on Thornton Wilder。Critical Essays on Thornton Wilder。New York。  new window
5.Burbank, Rex J.(1978)。Thornton Wilder。Thornton Wilder。New York。  new window
6.鐘明德(1999)。The Little Theatre Movement of Taiwan (1980-1989)-In Search of Alternative Aesthetics and Politics。The Little Theatre Movement of Taiwan (1980-1989)-In Search of Alternative Aesthetics and Politics。Taipei。  new window
7.Cowley, Malcolm(1996)。The Man Who Abolishes Time。Critical Essays on Thornton Wilder。New York。  new window
8.Fergusson, Francis(1996)。Three Allegorists: Brecht, Wilder, and Eliot。Critical Essays on Thornton Wilder。New York。  new window
9.Hawley, John(1996)。Writing the Nation: Self and Country in Post-colonial Imagination。Writing the Nation: Self and Country in Post-colonial Imagination。Amsterdam/Atlanta, GA。  new window
10.Jian, Ying-Ying(1997)。Identity, Difference and Subjectivity-From Feminism to Post-colonial Cultural Imagination。Identity, Difference and Subjectivity-From Feminism to Post-colonial Cultural Imagination。Taipei。  new window
11.Kaye, Nick(1994)。Postmodernism and Performance。Postmodernism and Performance。Basingstoke/London。  new window
12.Liu, Ji-Hui(1997)。Repture and Continuity-Re-staging Cultural Memory on Taiwan's Stage。Identity, Difference and Subjectivity-From Feminism to Post-colonial Cultural Imagination。Taipei。  new window
13.Lü, Su-Shang(1991)。A History of Cinema and Drama in Taiwan。A History of Cinema and Drama in Taiwan。Taipei。  new window
14.Papastergiadis, Nikos(1996)。Ambivalence in Cultural Theory。Writing the Nation: Self and Country in Post-colonial Imagination。Amsterdam/Atlanta, GA。  new window
15.Qiou, Kun-Liang(1992)。The Study of Taiwanese Drama in Japanese Colonisation: Old Drama and New Drama (1895-1945)。The Study of Taiwanese Drama in Japanese Colonisation: Old Drama and New Drama (1895-1945)。Taipei。  new window
16.Savran, David(1986)。The Wooster Group, 1975-1985: Breaking the Rules。The Wooster Group, 1975-1985: Breaking the Rules。Ann Arbor。  new window
17.Wang, Qi-Mei(1993)。Mundane Orphan-1992, the Branch-and-Leave Version。Mundane Orphan-1992, the Branch-and-Leave Version。Taipei。  new window
18.Wilder, Thornton(1965)。Our Town, The Skin of Our Teeth, The Matchmaker。Our Town, The Skin of Our Teeth, The Matchmaker。Harmondsworth。  new window
19.Yang, Du(1994)。Taiwan's New Drama Movement in Japanese Occupation, 1923-1936。Taiwan's New Drama Movement in Japanese Occupation, 1923-1936。Taipei。  new window
20.You, Sheng-Guan(1996)。The Rise and Development of Nativism in Taiwanese Literature。The Rise and Development of Nativism in Taiwanese Literature。Taipei。  new window
其他
1.Ah-sheng(1996)。Little Town of Tamsui by Godot Theatre Company，Taipei。  new window
2.Fu, Yu-Huei(1996)。On Little Town of Tamsui: Conflictual Pace in Life and in Tamsui。  new window
3.Huang, Mei-Xiu(1989)。Little Town of Tamsui: A Successful Adaptation，Taipei。  new window
圖書論文
1.Renan, Ernest、Thom, Martin(1990)。What is a nation?。Nation and Narration。New York。  new window
2.Bhabha, Homi K.(1990)。DissemiNation: Time, Narrative, and the Margins of the Modern Nation。Nation and Narration。Routledge。  new window
 
 
 
 
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