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題名:談杜十娘與莘瑤琴悲喜各異的人生在通識教育上的意涵
書刊名:大葉大學通識教育學報
作者:黃淑貞 引用關係陳美惠
作者(外文):Huang, Shu-chenChen, Mei-hui
出版日期:2011
卷期:7
頁次:頁39-58
主題關鍵詞:杜十娘怒沉百寶箱娼妓馮夢龍通識教育賣油郎獨占花魁Du Shiniang Sinks the Treasure Chest in AngerProstituteFeng MenglongGeneral educationOil Vendor Won the Heart of Leading Courtesan
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摘 要 通識教育的目的在於培養學生自我覺察、獨立思考、人文思維的能力,進而能認識與關懷所處的社群與自然環境,也是全人教育的核心素養。而文學教育是最理想的情意教育,它是人文素養的基礎,古典文學中的「通俗小說」內容發人深省,具有教化人心的功能,正是目前功利掛帥的台灣社會所欠缺的。 本文以《三言》文本中兩位奇女子「杜十娘」與「莘瑤琴」為探討對象,她們同為從良的娼妓,卻交織出悲喜各異的人生結局;一則玉石俱焚,一則圓滿美好,兩者迥異的人生進程,與其剛柔的性格、識人的遠見及擇偶的堅持,有著極為密切的關聯。本文以此為耙梳的脈絡,藉由「杜十娘」與「莘瑤琴」戲劇性的生命圖像底蘊,探討通識教育的意涵。
Abstract The goal of general education is to develop students’ abilities of self-awareness, independent thinking, and humanistic thought, and make them understand and care the social group they are situated in and the natural environment further; this is also the core accomplishment of holistic education. Moreover, literature education is the most ideal affective education; it is the foundation of humanistic accomplishment; the content of “popular novel” in classical literature can stimulate deep thought, and has the function of bring enlightenment to the people; this is what present Taiwan society, in which the utility takes command, is short of. The research took two wonder women: “Du Shiniang” and “Shen Yaoqin” in the text of “San Yan” as the subjects of exploration; they were both prostitutes thatbecame a decent woman again, but interwove with the male title roles in the stories to have respectively sad and happy ending; one was destruction of good and bad alike; the other was leading a satisfactory and wonderful life; the two women’s utterly different course of life was closely related to their characters of being tough or being meek and mild, the foresight of knowing people, and the insistence of choosing a spouse. The research took these as the thread of thought of sorting out, and discussed the meaning of general education by means of “Du Shiniang’s” or “Shen Yaoqin’s” dramatic connotation of life image.
期刊論文
1.李鳳玲(2003)。杜十娘悲劇原因再探。經濟與社會發展,1(8),117-119。  延伸查詢new window
2.楊肅毓(2004)。從三言二拍中的娼妓脫籍看明代娼妓的社會地位。洄瀾春秋,1,37-62。  延伸查詢new window
3.蔣文勝(2003)。愛情悲喜劇--杜十娘怒沉百寶箱和賣油郎獨占花魁的比較。丹東師範學報,25(3),35-36。  延伸查詢new window
圖書
1.何滿子(1997)。中國愛情與兩性關係:中國小說研究。臺北:商務印書館。new window  延伸查詢new window
2.李盾(199910)。中國古代小說演進史。台北:文津出版社。  延伸查詢new window
3.馮夢龍、曹光甫(1995)。警世通言。臺北:建宏書局。  延伸查詢new window
4.嚴明(1992)。中國名妓藝術史。台北:文津出版社。  延伸查詢new window
5.蕭國亮(1996)。中國娼妓史。臺北:文津出版社。  延伸查詢new window
6.韓秋白、顧青(1995)。中國小說史。臺北:文津出版社。  延伸查詢new window
7.王書奴(2006)。娼妓史。代表作國際圖書出版有限公司。  延伸查詢new window
8.文史知識編輯部(1991)。漫話明清小說。北京。  延伸查詢new window
9.廖吉郎(1995)。醒世通言。台北。  延伸查詢new window
10.繆咏禾(1993)。馮夢龍及三言。台北。  延伸查詢new window
圖書論文
1.魯迅(1992)。中國小說史略。魯迅小說史論文集:中國小說史略及其他。臺北:里仁書局。  延伸查詢new window
 
 
 
 
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