Franz Liszt (1811-1886) was ordained as a minor catholic cleric in 1865. During the time while he was a cleric, he completed two oratorios, The Legend of St. Elizabeth (Die Legende von der heiligen Elisabeth, 1857-62) and Christ (Christus, 1862-66). The Legend of St. Elizabeth is the story of a 13th century princess from the Kindom of Hungary, Landgravine of Thruingia, who became a widow at the age of 20. She unselfishly served the sick and the poor and was canonized after her death. Liszt wrote the oratorio Christ from the perspective of Mary, the mother of Jesus. He used the lyrics of Jocopone da Todi’s (1230-1306) stabat mater speciosa and stabat mater dolorosa to describe two important rites of passage, the birth and the death of Jesus Christ. At the end of the 18th century, during the French Revolution Napoleon proclaimed himself emperor and caused great Europe political upheavals in Europe. The Industrial Revolution in the mid-19th century caused further social evolution and revolution. "Liberal feminism" and "Socialist feminism" were born during this period. This paper focuses on the feminist characters in the two oratorios by Liszt, the interaction between feminism and the catholic reformation of the 19th century, and the compositional techniques and materials of the oratorios expressing woman’s love and mercifulness.