With the film Les Misérables as the backbone, and in terms of the dominance of imagination, power and knowledge in sociology and the self in a Personal Iceberg Metaphor: Jean Valjean's shackles of crime and the social class pride of Inspector Javer chasing after Valjean for a long-time, this paper explores the law after simplification, a society with discrimination and collective prejudice, and the boundary in power relations, in an attempt to review the armor of reality and illusion, the touch of good and evil, and the nature of power for the reference of the world today. While analyzing the film's plot, apart from cross-examining the dialogues and scenes in the film with theories in relevant literature, I have analyzed the time, space, image, logic and perspective in the film with the narrative approach and progressively extracted their core concepts with inductive reasoning in order to interpret the textual consciousness of the film, with special emphasis on the interpretation of context to discern its true social significance. I have organized this paper in three levels: (a) social codes, prison and violence shaped in the name of law; (b) a retrospection of social context in terms of ＂the deconstruction and reconstruction of self＂; and (c) a re-view of the social class prejudice and treatment in reality. Hence, the objectives of this research include: (a) to reflect reality and consider the omnipresent prejudice in society and the pride of power through the film; (b) By unveiling the reality and fakeness in society through movies, the essence of power and ever-lasting good and evil is reconsidered. (c) Through the characters and their social backgrounds in movies, the boundary and the ideology of power relations is discussed.