近年來，黃錦樹大量書寫以馬來亞共產黨為主題的小說，以「馬共」作為切入點，除了與馬共歷史進行對話之外，也運用馬共的邊緣困境轉喻為馬華文學的困境。據此，本文嘗試提出黃錦樹的「書寫」過程不僅為「馬共」此符號帶來一絲生機，同時也為馬華文學困境帶來突破的可能。在「書寫」的當下，黃錦樹嘗試透過操作「小說」此一得以廣納虛構敘事的形式，突破此文類的框架，盡可能演繹「小說」作為一種文類的想像。這個可能性將帶領馬華文學突破地域的框架。本文將試圖運用詹閔旭所提出的「華語語系跨國連結」，分析黃錦樹針對陳映真的小說〈淒慘的無言的嘴〉與〈山路〉進行互文與改寫的意義，提出如此的做法得以幫助反思馬華文學的局限。最後，本文將反思馬華文學可能的出路

Ng Kim Chew has been using the Malayan Communist Party (MCP) as the main theme in his recent works. These ＂communist fictions＂ were not uncommon, but Ng's approach differs from other writers. Not only trying to relate to MCP’s history, he also uses the predicament faced by the MCP as a metaphor for the dilemma encountered by Chinese Malaysian's literature. This paper argues that Ng's writing process will not only bring life to the ＂MCP＂ symbol, but will also try to bring an end to the struggle of Chinese Malaysian's literature. Through writing, Ng manipulates the form within fictional writing, tries to break the border within each genre and expand the imagination of fictional writing. Chinese Malaysian's literature might have a glimpse of hope through breaking the barrier of ＂fiction＂, and the boundary of countries. This paper will be using the Transnational Sinophone Articulation as a method to examine Ng's adaptation of Chen Ying Zhen's QiCan De Wu Yan DeZui and Shan Lu , so to suggest that through these intertextual adaptations, it helps to reflect on the shortcoming of Chinese Malaysian's literature. Lastly, this paper seeks to search for a path for the future of Chinese Malaysian's literature