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題名:論王羲之〈蘭亭詩〉的抒情特質
書刊名:人文研究學報
作者:王曉晴
作者(外文):Wang, Hsiao-ching
出版日期:2019
卷期:53:1
頁次:頁43-60
主題關鍵詞:王羲之蘭亭詩抒情傳統Wang Xi-zhiLanting shiLyrical tradition
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:157
  • 點閱點閱:2
中國文學具有悠久之抒情傳統,在歷來學者們的論述下,已然成為共識。而王羲之〈蘭亭集序〉一文,更每每引為抒情佳構之代表。反觀王羲之〈蘭亭詩〉,發紓聚會當下所感,論述焦點卻始終在玄言詩、山水詩之間徘徊,詩歌的抒情性質鮮少被提及。今以〈蘭亭詩〉作為討論重心,發現在哲理式文字的背後,係有詩人主觀情感之安排;在山水景象的描摹之中,乃為詩人情感意象之獨特經營。這種對天道自然、自我生命的省視、感發,並非出於無情的理性思考。透過自我探問的語法、否定詞的強化、敘事句(動詞句)的運用等等,皆在在體現著詩人的主觀情感。是則,較之〈蘭亭集序〉,〈蘭亭詩〉的書寫,實同樣有一抒情自我,為詩人抒情經驗之具體呈現。
"Chinese literature has a long history of lyricism, and it has become a consensus under the discussion of scholars. Wang Xi-zhi’s ""Preface to Lang Ting series"" is often referred to as the masterpiece of lyricism. On the other hand, Wang Xizhi’s "" Lanting shi "" expresses the feelings of the party at that time, but the focus of discussion is always between the etaphysical poetry and the landscape poetry. The lyrical nature of poetry is rarely discussed.This article uses ""Lanting shi"" as a discussion to find that the philosophical words in poetry are the expression of the poet’s subjective emotions; the poet’s description of the landscape is actually the emotional image of the poet. This kind of vision and feeling for nature and self-life is not just pure rational thinking.In poetry, there are some self-exploring grammar, the strengthening of negative words, the use of narrative sentences (verbs), etc., all clearly show the poet’s subjective feelings. Therefore, compared with the ""Preface to Lang Ting series"", the writing of ""Lanting shi ""also has a lyrical self, which is a concrete presentation of the poet’s lyrical experience. masterpiece of lyricism. On the other hand, Wang Xizhi’s "" Lanting shi "" expresses the feelings of the party at that time, but the focus of discussion is always between the etaphysical poetry and the landscape poetry. The lyrical nature of poetry is rarely discussed.This article uses ""Lanting shi"" as a discussion to find that the philosophical words in poetry are the expression of the poet’s subjective emotions; the poet’s description of the landscape is actually the emotional image of the poet. This kind of vision and feeling for nature and self-life is not just pure rational thinking.In poetry, there are some self-exploring grammar, the strengthening of negative words, the use of narrative sentences (verbs), etc., all clearly show the poet’s subjective feelings. Therefore, compared with the ""Preface to Lang Ting series"", the writing of ""Lanting shi ""also has a lyrical self, which is a concrete presentation of the poet’s lyrical experience. "
期刊論文
1.顏崑陽(20090600)。從反思中國文學「抒情傳統」之建構以論「詩美典」的多面向變遷與叢聚狀結構。東華漢學,9,1-47。new window  延伸查詢new window
2.鄭毓瑜(19940600)。由修禊事論蘭亭詩、蘭亭序「達」與「未達」的意義。漢學研究,12(1)=23,251-273。new window  延伸查詢new window
3.黃偉倫(20100100)。蘭亭修禊的文化闡釋--自然的發現與本體的探詢。華梵人文學報,13,157-186。new window  延伸查詢new window
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2.逯欽立(1988)。先秦漢魏南北朝詩。臺北:木鐸出版社。  延伸查詢new window
3.柯慶明、蕭馳、陳世驤、高友工、鄭毓瑜、張淑香、顏崑陽、龔鵬程、蔡英俊、呂正惠(2009)。中國抒情傳統的再發現。臺北:國立臺灣大學出版中心。  延伸查詢new window
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7.黑格爾、朱孟實(1982)。美學。台北:里仁書局。  延伸查詢new window
8.王國瓔(1986)。中國山水詩研究。聯經出版事業股份有限公司。  延伸查詢new window
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10.蔡瑜(2012)。迴向自然的詩學。臺北:國立臺灣大學出版中心。  延伸查詢new window
11.孫康宜(20010000)。抒情與描寫:六朝詩歌概論。臺北:允晨文化。new window  延伸查詢new window
12.丁福保(1978)。清詩話。臺北:西南書局。  延伸查詢new window
13.祁小春(2013)。邁世之風:有關王羲之資料與人物的綜合研究。臺北:石頭出版社。  延伸查詢new window
14.胡大雷(2006)。中國詩人抒情方式的演進。北京:中華書局。  延伸查詢new window
15.呂正惠(1989)。抒情傳統與政治現實。臺北:大安出版社。  延伸查詢new window
16.錢志熙(1993)。魏晉詩歌藝術原論。北京:北京大學出版社。  延伸查詢new window
17.Cassirer, Ernst、關子尹(1986)。人文科學的邏輯。聯經出版事業股份有限公司。  延伸查詢new window
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19.張淑香(1992)。抒情傳統的省思與探索。大安出版社。new window  延伸查詢new window
20.陳世驤、楊牧(1972)。陳世驤文存。志文。  延伸查詢new window
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