空若作為美學概念出現,視空為果,乃其不可或缺之條件。如果把因果理解為一種時間"序列"的話,"果"無疑是此過程的終點。這一"序列"本身蘊涵的是理性的求索,強調終點,則確立了審美的視界。空的歷史發展表明,它越來越果位化了,越來越偏重于對心識所轉,心意所得這一結果的證明以及描摹,越來越趨近于一種審美范疇。

If the "void" is taken as an aesthetic concept,the idea of the "void as the effect" should be its indispensable condition.If "cause and effect" is understood as a kind of time sequence,then "effect" is undoubtedly the end of this process.This "sequence" indicates the pursuit for reason and emphasis on the end,and thus it establishes the aesthetic vision for the " void".The development of the idea of the void has revealed that it is getting increasingly result-oriented with more emphases on proving and tracing the result that one gets what the mind turns to.Thus the idea of the void is becoming an aesthetic concept.