At age forty, Wang Wei discussed Buddhism with Shen Hui at an auberge in Lintuan, Nanyang. At last he surprisingly praised “the Buddhism is beyond experience.“ He then accepted Shen Hui’s commission to write <The Sixth Patriarch Zen Master Inscription). This long inscription, which has 1,233 words, is extremely different from the other inscriptions or socializing articles that Wang Wei did before, and what it illuminates in the text deeply reaches the central throught cord of the sixth Patriarch. This study is based on The Sixth Patriarch Zen Master Inscription, with the central conceptions: “wu nien”, “wu hsiang” and “wu wang” of 《The Sixth Patriarch’s Sutra》 as the main axes, to analyze Wang Wei’s lyrical articles respectively. The results show that intuition can be often found in his writings. Besides, this poet usually displays the situation of “being in desires but think none of them” of “wu nien”. He also has no either persistence or attachment to the recognized subjects or objects, therefore, he can identify the truly self among virtuality; this is similar to “wu hsiung” of 《The Sixth Patriarch’s Sutra》. When confronting the events out of the life essences, the poet often shows his spiritual minds of easiness and vitality. Such descriptions about mental are close to the “wu wang” of 《The Sixth Patriarch’s Sutra》. The three conceptions of “wu nien”, “wu hsiang” and “wu wang” in 《The Sixth Patriarch’s Sutra》 can be concluded to “wu”, which is like “emptiness”, contains various things, is full of energy, free and flow. Wang Wei presents his free mind lightly and unconstrainedly, which reveals that Wang Wei has been greatly affected by 《The Sixth Patriarch’s Sutra》, therefore he absorbs 《The Sixth Patriarch’s Sutra》and with his invented poetic feelings to evevate potery to a brand new world.