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題名:1910年日英博覽會中的階序與時序展示
書刊名:國立歷史博物館學報
作者:戴蕾
作者(外文):Tai, Lei
出版日期:2014
卷期:49
頁次:頁111-125
主題關鍵詞:階序展示時序展示他者1910年日英博覽會Chronological displayHierarchical display1910 Japanese-British Exposition
原始連結:連回原系統網址new window
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  • 共同引用共同引用:221
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本文研究「1910年日英博覽會」中日本展區內的「階序」與「時序」展示。過去研究者已指出日本明治維新後形成新的文化概念,以較動態、流動的方式,處理西方與東方間階序、演化的關係(Kikuchi 2004:76;胡家瑜 2004;錢曉珊 2006)。「1910年日英博覽會」的例子,顯示日本透過其他元素,如:「歷史」、「工業」、「西方vs.東方」、「觀看與被觀看」及「動與不動」等的重組與排列,論述日本與其他亞洲國家間的階序關係,一方面向西方人呈現日本相對其他亞洲民族在演化階序上的優越,另一方面也呈現日本歷史、文化的獨立發展與歷史深度,顯示其現代化並非單純受西方影響的結果。
This article discusses the hierarchical and the chronological displays of the Japanese sections in the 1910 Japanese-British Exposition. Previous research indicates that the Japanese notion of culture, which was not introduce to Japan until Meiji Restoration, revealed a relatively dynamic and fluent understanding toward the power relation between Japan, its Asian neighbors and its western counterparts(Kikuchi 2004:76; Hu 2004; Qian 2006). In the case of Japanese sections in the 1910 Japanese-British Exposition, elements such as eastern vs. western, viewing vs. being viewed, mobility vs. immobility were rearrange according to situations. Western cultural elements, such as western style of clothes and industrial equipment, were adopted as imperialist connotations for Japan's higher status and domination. In these exhibitions, an independent Asian-centered evolutionist theory was demonstrated, in which Japan occupied the top of the pyramid, while its' colonies, including Taiwan, Manchurian, and Korean, as well as Ainu, an indigenes people living in Hokkaido, were depicted as cultural Others living in less modernized and lower cultural conditions. Besides hierarchical displays, Japanese also managed to demonstrate the depth of its history through chronological arrangements of scenario displays of its different historical periods. By this chronological scenario exhibitions Japan aimed not only to illustrate the achievements of its civilization but also to construct an historical discourse which took the country's modernization as a consequence of isolated development without western influence.
期刊論文
1.胡家瑜(20040600)。博覽會與臺灣原住民:殖民時期的展示政治與「他者」意象。國立臺灣大學考古人類學刊,62,3-39。new window  延伸查詢new window
學位論文
1.錢曉珊(2006)。殖民地博物館與「他者」意象的再現--三個日本殖民地博物館的分析比較(碩士論文)。臺灣大學,臺北。  延伸查詢new window
圖書
1.Commission of the Japan-British Exhibition(1911)。Official Report of Japan-Britain Exhibition in 1910 at the Great White City, Shepherd's Bush。Longdon London:Unversity Brother,Ltd。  new window
2.Kikuchi, Yuko(2004)。Japanese Modernisation and Meigei Theory: Cultural Nationalism and Oriental Orientalism。London:Routledge。  new window
3.呂紹理(2005)。展示臺灣:權力、空間與殖民統治的形象表述。臺北:家庭傳媒城邦分公司。new window  延伸查詢new window
圖書論文
1.Conant, Ellen P.(1991)。Refractions of the Rising Sun: Japan's Participation in International Exhibitions 1862-1910。Japan and Britain: an Aesthetic Dialogue 1850-1930。London:Lund Humphries。  new window
2.Yengoyan(1994)。Culture, Ideology and World's Fairs: Colonizer and Colonized in Comparative Perspectives。Fair Representations: World's Fair and the Modern World。Amsterdam:Vu University Press。  new window
 
 
 
 
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