本文所謂「唐代」乃涵括唐五代時期。所謂「唐代詩學」在此指包括唐五代詩選本、詩話、筆記、詩作、文集等凡涉及「孟浩然詩」評論介述的記載，皆屬於研究的範圍。在詮釋的進路上，乃是由「唐詩典律史」的視域，去論述唐五代時期的詩人、詩學家對「孟浩然詩」的接受結果。就內容而言，可分為二部分：第一部分由省思現今「文學史」、「唐詩史」對「孟浩然詩」詮釋、評價的結果，提出「孟浩然詩典律史」的系列性論題。這項論題在於考察歷代文士對「孟浩然詩」的「接受視域」，並從中分析、歸納促使「孟浩然詩」典律化的因素及條件。這項研究成果，可以提供現今「唐詩史」的撰寫、研究，對顯自身特點的參照知識。就「方法論」的觀點而言，這項研究具有必要性。第二部分針對上述系列性論題的第一階段論題：「孟浩然詩」在「唐代詩學」上的意義，進行論述。這項成果可以做為對照宋元明清文士詮評「孟浩然詩」之意義與特色的參照知識。在此一研究取向下，本文先建構「唐代詩學」所呈現「孟浩然詩」的「範作」及「準典律基模」，其次從「詩觀」及「文化傳統」說明「唐代詩學」對孟浩然詩的「接受視域」，最後則從「社會或文化關係」、「聲望資產」、「傳播推廣」等面向，詮釋「孟浩然詩」在唐代準典律化的社會條件。

The paper brings up a series of theses on Meng Haoran's poem canon history by reflecting on the interpretation and evaluation on Meng Haoran's poem in literary history and Tang poetry history. The theses focus on showing reception sights for reading Meng Haoran's poem by all the past dynasties' readers, analyzing and inducing the elements and conditions which conduce to Meng Haoran's poem canonization. The paper might provide the current research and book about "Tang poetry history" with reference knowledge. In methodology opinion, the research is necessary. The paper aims to discuss the first part of the series theses: The significance of Meng Haoran's poem in Tang Dynasty's poetics. It may be a reference for showing distinction between the Sung Dynasty to Ching Dynasty reader's opinions on receiving Meng Haoran's poem. In the approach, first, I explain the model and canon-to-be of Meng Haoran's poem in Tang Dynasty's poetics. Secondly I explain reception sights of Tang Dynasty's poetics on Meng Haoran's poem. Finally, I interpret the social conditions which conduce to Meng Haoran's poem canonization in Tang Dynasty with views of social-cultural relationship, popularity, communication.