:::

詳目顯示

回上一頁
題名:詩詞形神轉化的文化創意設計應用
書刊名:設計學報
作者:葉茉俐 引用關係林伯賢徐啟賢 引用關係
作者(外文):Yeh, Mo-liLin, Po-hsienHsu, Chi-hsien
出版日期:2011
卷期:16:4
頁次:頁91-105
主題關鍵詞:詩詞文化創意產業創意產品設計PoetryCultural creative industryCultural product design
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(8) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:8
  • 共同引用共同引用:287
  • 點閱點閱:110
臺灣正進入一個以文化創意帶動美學經濟的時代,新的設計思維不僅是考量生產的方便性以及解決使用的機能性,更重要的是一種生活形態的創造、生活品味的體驗,以及生活價值的實踐。中華文化博大精深,近幾年在世界各地紛紛吹起中國風的熱潮,華人文化逐步邁向世界舞台,並成為臺灣追求文化創意產品設計的重要原動力。傳統詩詞韻文的衍生應用,不但是先人文化智慧的結晶,亦和設計創意有許多相呼應之處。本研究以中國傳統繪畫形神理論為基礎,參考相關文獻對於文化創意設計運用的可行性。以古典「詩詞」文學精神特色為出發點,說明如何掌握傳統「詩詞」之背景與主題,擷取其關鍵意涵以進行結構形態與內容之分析,且經由形神轉換為「詩詞」產品設計之實際案例,並彙整建構為「詩詞形神轉換」之設計模式。將傳統文化融入現代產品設計中,除為當前文化創意產業提供可行之設計模式,更期望藉由創意產品設計為傳統文化再現風華。
Taiwan is now approaching a new era of aesthetic economy powered by cultural creativity. In addition to ease in manufacturing and functionality for problem-solving, new design concepts put more emphasis on the creation of lifestyles, the experience of tastes, and the realization of life values—all with the core essence of culture. Chinese culture is rich and diversified, as Chinese styles and culture is turning to be the focal point in the world in recent years, culture elements will certainly become an accelerating force for the pursuit of culture creative product design. The invention of traditional poetry and rhyme is a great achievement of our ancestors. This cultural intelligence could also be applied to the activities of design and creation. Based on the traditional Chinese poetic theory of shape-sprit transformation and a wide-ranging literature review on the design methods of cultural creative products, this study aims to, starting with the classical literary sprit, explore how the internal meaning and external style in traditional poetry could be transferred and integrated into modern product design. Traditional classic poems were selected from actual case studies to illustrate the investigation process of shape-sprit transformation. The results provide a feasible design model for current cultural creative industries, and equally importantly, an opportunity to represent our traditional culture with creative product design.
期刊論文
1.楊裕富(20090900)。敘事設計論作為一種建築美學。建築學報,69,155-168。new window  延伸查詢new window
2.古佳峻(20090900)。動聲/同身/通神--白居易〈琵琶行〉析論。臺北大學中文學報,7,139-171。new window  延伸查詢new window
3.林榮泰(20050700)。文化創意‧設計加值。藝術欣賞,1(7),26-32。  延伸查詢new window
4.Lee, B. R.(2005)。論「寫意」與「詩畫融通」之關聯性。元培學報,12,125-144。  延伸查詢new window
5.Jhang, J. Y.(2005)。論范仲淹〈漁家傲〉詞。立德學報,2(2),121-129。  延伸查詢new window
學位論文
1.童明昌(2006)。六朝傳神畫論及其美學義涵之探究--以「形」、「神」辯證思維的落實與具現為詮釋進路(碩士論文)。國立東華大學。  延伸查詢new window
2.劉明昌(2006)。謝靈運山水詩藝術美探微(碩士論文)。國立成功大學。  延伸查詢new window
3.Lee, B. R.(2003)。杜甫題畫詩之審美觀研究。臺灣師範大學,台北。  延伸查詢new window
4.Hsieh, C. C.(2000)。萊辛「拉奧孔:詩與畫的境界」--「詩畫同律」在十八世紀美術中的轉變。國立中央大學,中壢。  延伸查詢new window
圖書
1.Rapaille, Clotaire(2006)。The culture code。New York:Broadway Books。  new window
2.Cassirer, Ernst(1992)。An Essay on Man: An Introduction to a Philosophy of Human Culture。New Haven:Yale University Press。  new window
3.梅家玲(2004)。世說新語的語言與敍事。臺北:里仁。new window  延伸查詢new window
4.Langer, Sussane K.(1953)。Feeling and Form: A Theory of Art Developed From Philosophy in A New key。New York:Charles Scribner's Sons。  new window
5.黃永武(1976)。中國詩學:設計篇。臺北:巨流。  延伸查詢new window
6.高友工、柯慶明(2004)。中國美典與文學研究論集。臺北:國立臺灣大學出版中心。new window  延伸查詢new window
7.鄭燮(1979)。鄭板橋集。臺北市:九思出版有限公司。  延伸查詢new window
8.李亦園(1996)。文化與修養。臺北:幼獅文化事業股份有限公司。  延伸查詢new window
9.朱光潛(2003)。談美。晨星出版社。  延伸查詢new window
10.李澤厚、劉綱紀(1999)。中國美學史.魏晉南北朝編。安徽文藝出版社。  延伸查詢new window
11.Norman, Donald A.(2004)。Emotional Design: Why we love (or hate) Everday Things。New York:Basic Book。  new window
12.Fang, S.(1971)。山境居書論。台北。  延伸查詢new window
13.Chu, K. C.(1998)。文藝心理學。台北。  延伸查詢new window
14.Yeh, C. Y.(1998)。談美。台北。  延伸查詢new window
15.Guo. S.(1975)。林泉高致集。台北。  延伸查詢new window
16.Worringer, W.(2007)。Abstraction and empathy: A contribution to the psychology of style。Chicago。  new window
其他
1.UNESCO(2003)。保護和促進文化表現形式多樣性公約,http://www.unesco.org/new/zh/unesco/, 20110703。  延伸查詢new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
:::
無相關著作
 
QR Code
QRCODE