清初的擬話本《豆棚閒話》延續明末的戲謔文風，以庶眾的視角觀看歷史上的正典人物，以想像人物「私生活」的方式填補歷史不載的空白處，產生詼諧與諷刺並存的喜劇性氛圍。本文討論《豆棚閒話》中，三則以正典人物為主角的篇章，分別為〈介之推火封妒婦〉、〈范少伯水葬西施〉與〈首陽山叔齊變節〉，分析文本中喜感的生成方式，並研究作者如何將歷史敘事中的典範人物「降格」為喜劇人物的過程。

The short novel Chitchat in Beans Canopy《豆棚閒話》at the beginning of Qing dynasty continues the Parodic custom from the end of Ming dynasty. It views the standard characters in history from the perspective of ordinary people. By means of imagining the "private lives" of the characters that fill in the blanks in the historical records, it gives rise to the comic atmosphere of humor and parody. Based on three chapters that mark the standard characters as protagonists-"The Fire Blockage of the Green-eyed Woman by Jie Zhi-tui" (〈介之推火封妒婦〉), "Fan Shao-bo Water Buries Xi-shi" (〈范少伯水葬西施〉), and "The Recantation of Shu-qi in Shou Yang Shan"(〈首陽山叔齊變節〉)-this paper analyzes the process of the descent of the standard characters and the effect on the images of the comic characters brought by ordinary people.