本文分析宜蘭從 1980年代拒絕工業化的異化空間，到提倡地方的文化觀光產業，其中藝術介入社區及社區藝術化成為許多社區提升在地文化能量，作為抵抗空間異化之具體實踐。本研究分別透過宜蘭港邊社區裝置藝術與再生藝術及宜蘭白米社區木屐村再生等為案例，分析其社區之文化藝術行動及其抵抗。

This paper analyzes the resistance of space alienation, focusing on how Yilan rejected the space alienation of industrialization and promoted the local cultural tourism industries from the 1980s. It somehow enhances the local culture energy by the arts-community and community-arts. This research has investigated the actions and resistance of the Yilan Gang-Bian community installation art and Bai-Mi community clogs village of arts and cultural action.