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題名:衝突與抉擇--「虯髯客傳」的人物性格塑造及其意涵
書刊名:興大人文學報
作者:蔡妙真 引用關係
作者(外文):Tsai, Miao-chen
出版日期:2004
卷期:34(上)
頁次:頁153-180
主題關鍵詞:衝突抉擇虯髯客傳天命英雄英雄人格特質ChiouRanKeJuanConflictDecisionCharacter personalitiesChivalryHeroTian MingA decree of fate
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
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  • 共同引用共同引用:111
  • 點閱點閱:435
情節與人物為小說構成之兩大元素,而情節的「衝突」點又有形塑人物性格之功能,因此,透過小說中各個角色面臨的衝突與之後的抉擇,很能掌握人物性格以及作者意欲呈現的主旨。 〈虯髯客傳〉是唐傳奇名篇,但讀者對其中角色之性格,常拿捏不定,比如論定虯髯客擺脫不了天命的侷限,因而有頹然遠走的悲劇;對李靖這個人物評價落差尤大,前人許之為「俠」,後人卻譏其儒弱猶豫。如果由人物對衝突的處理來檢視,或許能細膩地窺知其角色性格。 〈虯髯客傳〉作者利用李靖、紅拂、虯髯客三個角色面對衝突時所採取的提擇,逐一刻畫所謂「英雄」應當具備的人格特質:李靖之仁、紅拂之智、虯髯之仁與勇,這樣的手法,讓此篇傳奇在不同的時空背景底下,也還能擁有其自身完足的藝術生命。蓋所謂「虯髯客傳」者,「英雄傳」也,而「英雄」是創造時勢而非被時勢侷限的人。本研究以為,作者想呈現的理想中的英雄俠客,乃合李靖、紅拂、虯髯為一的「智仁勇」三達德兼具的人,這樣的人格特質,靠的是修為,而非天命。
Plots and characters are the two major elements to construct novels. The conflicts in a plot serve to shape the personalities of characters. Therefore, through the conflicts that the characters in a novel confront and the decisions they make, readers are able to understand the characters’ personalities as well as the theme which the author desires to present. Chiou Ran Ke Juan (The Story about the Man with Curly Beard) is the most well-known legend of Tang Dynasty. However, it is hard for readers to determine the characters’ personalities. Chiou Ran Ke, for instance, is thought to be trapped by his fate, so he desperately runs away. Comments on Li Jing vary greatly; some praise him as a chivalry, but others mock his weakness and hesitation. Examining how the characters react to their conflicts may be a more precise way to know their personalities. The author of Chiou Ran Ke Juan, depicts the essential personal qualities that a hero possesses by presenting the actions of three different personalities: Li Jing, Hung Fu and Chiou Ran Ke. Through Li Jing’s kindness, Hung Fu’s wisdom, and Chiou Ran Ke’s kindness and bravery, the author has created a timeless work of art. Chiou Ran Ke Juan is a legend of heroes; a hero is never a victim of circumstances and instead a leader in all aspects of life. This study induces that a true hero embodies the qualities of wisdom, kindness, and braveness, a combination of these three characters. These virtues are cultivated and not a result of fate.
期刊論文
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2.陳寧(19960600)。命運可預知而不可改變之觀念的產生。中國文哲研究通訊,6(2)=22,147-160。new window  延伸查詢new window
3.林心暉(20011000)。命運與情愛之糾葛--「虬髯客」人物心理探索。國文天地,17(5)=197,13-18。new window  延伸查詢new window
4.樸月(1998)。虯髯客傳的隱喻主題。歷史月刊,124,105-110。  延伸查詢new window
5.韓玲(2003)。悲劇三題─重讀《詩學》引發思考。陝西師範大學繼續教育學報,20(30,75。  延伸查詢new window
6.許建崑(1994)。虯髯客傳肌理結構探析。東海中文學報,11,64。new window  延伸查詢new window
7.鹿憶鹿(1986)。豪俠傳奇─虯髯客傳新探。東吳大學中國文學系系刊,12,32。  延伸查詢new window
8.簡繡鈺(2000)。我看李靖。國文天地,16(1),53。new window  延伸查詢new window
9.李瑞騰(1990)。悲劇與衝突─試析柏楊短篇小說集《掙扎》。臺灣文學觀察雜誌,2,66。  延伸查詢new window
圖書
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2.Frankl, Viktor E.、黃宗仁(1992)。從存在主義到精神分析。臺北市:杏文出版社。  延伸查詢new window
3.Hegel, Georg Wilhelm Friedrich(1981)。美學。臺北。  延伸查詢new window
4.Aristotle(2001)。詩學。台北。  延伸查詢new window
5.Sartre, Jean-Paul、陳宣良、杜小真(2000)。存在與虛無。台北:貓頭鷹。  延伸查詢new window
6.張志和、鄭春元(1994)。中國文史中的俠客。北京:中國社會科學出版社。  延伸查詢new window
7.勞思光(1959)。存在主義哲學。香港:友聯出版社。  延伸查詢new window
8.蔡美珠(2002)。齊克果存在概念。臺北:水牛出版社。  延伸查詢new window
9.姚一葦(1994)。戲劇原理。臺北:書林。new window  延伸查詢new window
10.榮格、鴻鈞(1990)。分析心理學--集體無意識。臺北:結構群文化事業有限公司。  延伸查詢new window
11.Kierkegaard, Sören(1992)。齊克果日記。齊克果日記。臺北。  延伸查詢new window
12.傅佩榮(1998)。存在與抉擇。抉擇與負責。臺北。  延伸查詢new window
13.石鍾揚(1998)。性格的命運─中國古典小說審美論。性格的命運─中國古典小說審美論。安徽。  延伸查詢new window
14.周行之(1995)。由《四進士》看國劇中所表現的內心「衝突」。古典文學(第十三集)。臺北。  延伸查詢new window
15.王夢鷗(1996)。唐人小說校釋(上)。唐人小說校釋(上)。臺北。  延伸查詢new window
16.厨川白村(1998)。苦悶的象微。苦悶的象微。臺北。  延伸查詢new window
17.葉慶炳(1977)。虯髯客傳奇的寫作技巧。中國古典文學研究叢刊:小說之部(二)。臺北。  延伸查詢new window
 
 
 
 
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