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題名:淺談中國戲曲劇場形式、觀念與表演之關係
書刊名:藝術學報
作者:紀家琳
作者(外文):Chi, Chia-lin
出版日期:2007
卷期:80(表演類)
頁次:頁85-120
主題關鍵詞:劇場中國劇場形式戲曲表演舞臺形制劇場技術中國戲曲TheaterChinese theatrical formPerformance of Chinese traditional operaStage formTheater technicChinese tradition opera
原始連結:連回原系統網址new window
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本研究共分四大段落論述,希望藉由中國劇場形式、觀念與戲曲表演的成形關係,透過已發表之論說為根基,首段以戲曲表演起源是由小戲到大戲成型的觀念,指引出中國戲曲劇場的成立可從西漢百戲演出時就已存在,擺脫宋代勾欄為中國劇場形式正式起源的論述,並提出室内劇場與家宅演劇之可能關係。第二大段透過大戲成形與歷代演出劇場的歸納解說,說明劇場與戲曲表演所呈現出的關係以及在舞臺形制上所涵蓋的意義。第三大段點明近代劇場形式在西方鏡框式舞臺傳入中國初期時,就曾發生過舞臺技術與戲曲表演本質之衝突與分析,時至當代卻依然接受西方舞臺幾近統一形式的現況。第四段結語,則提出舞臺形制與技術需為戲曲表演服務之說,希望當代戲曲表演演出時不要再有重蹈覆轍的情況出現。
My study was separated four sections. To hope by the formative relations between Chinese theatre form, concept with performance of Chinese tradition Opera, to be based by publishing thesis. The first section talked about concept the performance of Chinese tradition opera was originated from Grade play to Small play, pointed out the theater of Chinese tradition Opera had been existed in the Western Han Dynasty of Entertaining Acrobatics play(百戲), to separate that theater form of Chinese tradition Opera was originated by Kou Lan theater of Son Dynasty(勾欄). And advocate the possible relation between the indoor theater and home theater. The second section by sum up of Grade play formation and whole dynasty theaters to illustrate with meaning of the relations which between theater and performance of Chinese tradition Opera on stage formation. The third section pointed out the conflict and analysis between stage technic and the element of Chinese tradition Opera performance which had happened when proscenium stage into early Chinese modern time but right now we still accept western stage and almost to be united in the present situation. The fourth section was a conclusion. My study pointed out that stage formation and technic should service for performance of Chinese tradition Opera, that wish do not happen again when Chinese tradition Opera by played in the present time.
期刊論文
1.周靜家(2000)。儀式+戲劇。國立政治大學歷史學報,17,224。  延伸查詢new window
2.牛川海(1992)。中國傳統舞臺之性格。復興劇藝學刊,2,3。  延伸查詢new window
會議論文
1.曾永義(2003)。戲曲研究的一些心得。2002兩岸戲曲大展學術研討會,傳藝中心 (會議日期: 2002年7月)。  延伸查詢new window
2.朱之祥(2002)。從藝術創作的原理探索當代戲曲發展的方向。臺北。272。  延伸查詢new window
學位論文
1.紀家琳(2003)。劇場現代化對臺灣新編京劇表演藝術之影響--以國光劇團為例(碩士論文)。中國文化大學。  延伸查詢new window
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1.周貽白(1977)。中國戲劇發展史。中國戲劇發展史。臺北。  延伸查詢new window
2.梅蘭芳、許姬(1979)。舞臺生涯。臺北。  延伸查詢new window
3.張岱(1999)。陶庵夢憶。臺北:金楓出版社。  延伸查詢new window
4.劉慧芬(20010000)。古今戲臺藝術與戲曲表演美學。臺北:文史哲。new window  延伸查詢new window
5.王安祈(198705)。明代傳奇之劇場及其藝術。臺北:臺灣學生書局。new window  延伸查詢new window
6.Brockett, Oscar G.、胡耀恆(1999)。世界戲劇藝術欣賞。台北:志文出版社。  延伸查詢new window
7.廖奔(199705)。中國古代劇場史‧堂會演戲。鄭州。  延伸查詢new window
8.張庚、郭漢城(1998)。中國戲曲通史。臺北:大鴻圖書有限公司。  延伸查詢new window
9.曾永義(20000000)。戲曲源流新論。臺北市:立緒文化事業有限公司。new window  延伸查詢new window
10.聶光炎。舞台技術。  延伸查詢new window
11.徐亞湘(20000000)。日治時期中國戲班在臺灣。臺北:南天。new window  延伸查詢new window
12.馬森(1994)。西潮下的中國現代戲劇。書林出版有限公司。new window  延伸查詢new window
13.黃克保(1994)。戲曲表演研究。戲曲表演研究。北京。  延伸查詢new window
14.Billington, Michael(1989)。表演藝術。表演藝術。臺北。  延伸查詢new window
15.邱坤良、詹惠登(1998)。臺灣劇場資訊與工作方法。劇場空間概說。臺北。  延伸查詢new window
16.邱坤良(1998)。臺灣劇場資訊與工作方法。臺灣戲劇發展概說。臺北。  延伸查詢new window
圖書論文
1.張庚。漫談戲曲的表演體系問題。戲曲美學論文集。台北:丹青圖書有限公司。  延伸查詢new window
 
 
 
 
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