There are many texture criticism of the School of “The Book of Odes” in Ching Dynasty, though YAO Chih-Heng’s texture research of “The Book of Odes” is unique. His “A General Statement of ‘the Book of Odes’” applied for a point view of literature to criticize. Those researches are rich in progressive development and enlightenment. I would like to arrange then systematically. This article focused on “The Book of Odes” in grammar-wise. First of all, horizontally is a representative of the whole showed two ways: ”Verse- rhyme-wise” and “Composition-wise” “Verse- rhyme-wise” used under-rhyming arrangement and changed rules of rhyming as a literate writing technique to look over various expressions of “the Book of Odes” well. There are many various expression ways, for example: the same words usage in series repetition, similar words in alignment repetition, main words and subordinate words in matching- wise repetition, reverse and brief words in changing repetition. Composition- wise started on the chapter structure, sentence character, perspectives of fade-in fade- out relations and alternation words relations to work. From these two wises, I interpreted “the Book of Odes” completely. Both a literature character and an artistic effect had been developed well. It will help and support the reader to understand its meaning, visions of poets integrally. Further, this literature interpretation of “the Book of Odes” by YAO Chih-Heng achieved a higher value and played an importance role of the School of “The Book of Odes” in world.