丁玲(1904-1986)的〈莎菲女士的日記〉自1928年發表於《小說月報》19卷2號以來，因作品內涵具有深刻的時代性和社會性意義，一發表後即震驚文壇，由此奠定了其女性文學作家的文藝地位。〈莎菲女士的日記〉向來被視為反映五四新文化運動以來的婦女解放思潮和女權思想的作品之一，在歷史、文化、社會與文學的思潮交互作用下，小說主角人物「莎菲」的出現有其積極的反映意義。本文從「追尋女人」、「解構父權」、「書寫自我」三個層面尋繹莎菲的愛慾表現。討論過程中，可以發現〈莎菲女士的日記〉透過內心獨白意識和兩性權力關係論述的交錯進行，使得性別書寫本身成為一連串「情慾想像」之神話的移轉、置換及再生的過程。整體而言，莎菲在追求「愛」與「幸福」的過程中，固然無法真正在自我定位上取得應有的發話權和主體性，但在解構父權中心的象徵體系的過程中，我們至少看到了莎菲所代表的時代新女性的自覺意識與具體實踐，當值得予以肯定。

Ding Ling (1904-1986)'s "Sha-Fei Lady's Diary" had published since 1928 by "Novel -Monthly newspaper" 19curls 2, because the connotation of work had the profound contemporary and social significance, after a publication it caused the shock in literary arena and established Ding ling's literary status as a feminine literature writer. This article plans to inquire into the expression Sha-Fei's desire of love through three stratification: "look for the woman", "deconstruct the paternity" and "write self". In the process of discussion, we may discover a fact which is the interlocked elaboration penetrate between the consciousness of monologue and gendered power, and the gendered writing become a shifting, displacing and regenerating process of the successional myth of "the imagination of desire of love". Being as for the whole, in the process which Sha-Fei looks for love and happiness, no doubt she is unable to obtain truly the speaking power and subjectivity in the self-localization. But in the process, which is the symbolic system of deconstructing the paternity, we saw at least Sha-Fei has represented the era-new woman's aware consciousness and concrete practice. That is on duty affirmed. It is worth to give the praise.