事實上，李元貞所受到的關注，主要是在婦女解放運動及詩學評論。然而，詩作既為吟咏性情之作，我們似乎也不該忽略李元貞在這方面的呈現。正緣此故，本文透過爬梳《女人詩眼》這部詩集著作，嘗試揭示李元貞的詩作特色。簡單來說，女性主體自覺即是其詩作特色，若再細分則有兩個面向，一是正面性的開展，如跳脫男權意識的解放，二是負面性的矛盾，如悖離母性為首要的母女困境。總之，若要對李元貞有真正的討論，不應該只是侷限於解放運動、詩評、詩論，亦應該從詩作這個面向來認識，在相互印證的過程之中，方能理解李元貞為臺灣女性詩學的真正貢獻

In fact, Lee Yuan-chen is paid most attention to her female emancipation movements and poetry reviews. But we should not neglect her manifestation of poetry because poetry is always a kind of works of expression and intonation. This paper tries to reveal the distinguishing feature of Lee Yuan-chen’s poetry through analyzing her work “Eyes of female poets”. To put it simple, self-consciousness of female subject is the main feature of her poetry. On the one hand, her poetry manifests the emancipation of women from male chauvinism. It’s a positive manifestation. On the other hand, her poetry also reveals the dilemma of mother-daughter caused mainly by getting away from maternal instincts. It’s a negative dilemma. To sum up, if we want to discuss Lee Yuan-chen’s works from a more complete perspective, we should not limit our understanding on her emancipation movements, poetry reviews and comments. We also have to discuss her poetry as works of poetry. Then we can realize her true contribution through the process of this kind of mutual proof