The idea of life aesthetics reflects what recognition a person gets about subjective connotations of life in the face of existential environment, then, how the person goes further to fulfill in one's life the thought of ”unity of heaven and man” which is manifested from the correspondence of the universe and human beings, and which finally presents aesthetic life. The author tries to base on the theory of ”life aesthetics” and penetrate through the hypostasis of Juan Chi's life thought so as to reach the purpose of discussing the idea of Juan Chi's life aesthetics. In the thread of the discussion, the whole article would at first focus on Juan Chi's longing and emphasis upon Lau Tzu and Zhuang Zi, and then tout how Taoist ”nature perspective” influenced Juan Chi's thoughts in terms of the above-mentioned discussions. The sequence of its difference and distinction could not only illustrate what catastrophes human would confront if they do things against nature and lose their faithful & affirmative life meaning in continuous pursuit of external achievement, but could also describe what life efficacy would be while they are in harmony with nature. Juan Chi argued that an ideal intellect should ”keep a long life with regimen and get shining with the nature” in life, and die in accordance with natural circulation as returning to the nature without dissipation and minus, being serene and peaceful in mind, so that he could hide himself and do nothing, only conform the characteristics of the nature so as to achieve the supreme realm of ”carefree life.” Therefore, as far as Juan Chi's life aesthetics could take, the supreme representation of aesthetics lies in life expression and fulfillment of ”the sage,” ”the great,” ”the immortal,” and ”the perfect man” who could reach to the pure beauty of ”unity of heaven and man” which is deservedly the supreme limit of presenting Juan Chi's idea of life aesthetics.