瀛社在北臺灣的領導地位毋庸置疑，其影響力，直可左右全臺灣詩學的推動。有關瀛社之簡介，相關研究與工具書籍已頗為詳備。瀛社係時代產物，相關研究不應侷限於瀛社本身發展脈絡的研究，理應站在這個基礎上，以瀛社相關資料為基礎，進而考察臺灣漢詩的發展、變遷暨其所反映的社會脈動。本文乃提出以瀛社的活動「場所」作為觀照角度，探討地點的選擇、場所的提供、場所的性質與活動現況，以是觀察台灣漢詩在日治時期的發展、位置，其所透露的社會與時代意義。舉例言之，從活動地點可以反映出吟詩作對於日治時期，已不復傳統士大夫集團於名園樓閣的專屬活動，它從神秘的上層風雅落實為一個具「敞視性」的一般性活動，人人可得參與，與地方社區相結合，形成一種融入現代性的傳統文化。此外，地點的提供、選擇與參與者的社會地位兩者之間，也有著密切的關連性，場所與活動資本，反映出日治時期漢詩所依賴的養分與土壤實與過往的詩社大為不同，因而出現了一種組織活動型的詩人，提供活動場所與經濟資本，對詩壇另有不同於傳統「漢詩書寫」的貢獻。總之，我們試圖以地點場所為核心，進一步與組織發展及成員屬性兩點相接軌，探討相關現象，為臺灣傳統詩社社區化的張本，俾能提供更全面的思考方式，有異於過去探討瀛社組織與成員身分分途的討論方式。

There's no doubt concerning Ying-She, the traditional literati's society of Poetry's essential role in northern Taiwan, its influence determines the movement of Taiwanese poetry. In respect of Ying-She's profile, related researches and references are abundant in quantity. Ying-She is a product of its time; studies concerning such subject should not limit itself to the academy's development only, but rather should use related materials as a basis to build up an examination of the development of Taiwanese Han poetry, its changes and the society it reflects. This article suggests using Ying-She's activity location as a perspective to discuss the choices of location, the availability of locations, the quality of locations and the current situation of activities, to perceive Taiwanese Han poetry's development during Japanese Colonial period, its position, as well as the society and zeitgeist it conveys. For example, its location implies that during Japanese Colonial period poem recitation was no longer an activity privileged to literati, but a more "panoptic" one that engages common folks as well. Its combination with local community has helped shape it into a traditional culture that absorbs modernity. In addition, the availability of location, and its choices are in close connection with participants' social statuses. Location and activity capital reveal the fact the resources and nourishments that Taiwanese Han poetry relied upon has undergone a dramatic change during Colonial period. Such change occurred in accordance with the emergence of a particular type of poets that specialized in organizing poetic activities; their contribution to the poetic circle differed from traditional "Writings of Han Poetry". In short, we use location as a core, to connect both the academy's development and its members' qualities, to discuss related phenomena, so as to provide a more comprehensive perspective that differs from the old approaches focusing on Ying-She the society and the identities of its members.