This article examines how Liu Ning 劉凝 (1620-1715), by compiling and commenting on the works of his ancestor Liu Xun 劉壎 (1240-1319), revealed his own Christian beliefs, which in turn constituted the foundation of his evidential scholarship. Liu Xun had been an eminent literary figure during the Song-Yuan transition and was an important cultural emblem of Nanfeng County 南豐 in Jiangxi Province. Liu Ning, who converted to Christianity no later than 1667, was the collaborator of the French Jesuit Joseph de Prémare (1666-1736) and was probably the only known Chinese Figurist. Liu Ning spent most of his life as an educational official at the county level, at the same time collecting and collating Liu Xun's writings and studying the history of Chinese characters. Liu Ning compiled all the current editions of Liu Xun's writings, adding his own thoughts in his commentaries and collation notes. Scholars have neglected these important materials. In this article, I argue that Liu Ning employed Learning from Heaven 天學 and evidential studies techniques to form a hermeneutical circle through which he defended his faith and warded off attacks from hostile Confucian literati. These efforts were revealed in the process of producing editions of Liu Xun's writings. In addition, this article highlights the complexity of evidential studies, which tends to be treated as a neutral scholarly endeavor, and urges scholars to explore how the intellectual outlook of individual evidential scholars influenced textual practices.