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題名:解析「主歌-副歌」形式:抒情慢歌的基模轉換與音樂酬賞
書刊名:應用心理研究
作者:蔡振家 引用關係陳容姍余思霈
作者(外文):Tsai, Chen-giaChen, Rong-shanYu, Szu-pei
出版日期:2014
卷期:61
頁次:頁239-286
主題關鍵詞:流行歌曲音樂分析音樂心理學歌詞研究膚電反應Lyrics analysisMusic analysisMusic psychologyPopular musicSkin conductance response
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(3) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:290
  • 點閱點閱:25
期刊論文
1.蕭蘋、蘇振昇(20020100)。揭開風花雪月的迷霧--解讀臺灣流行音樂中的愛情世界(1989-1998)。新聞學研究,70,167-195。new window  延伸查詢new window
2.蔡振家、陳容姍(20120400)。渴望.解決.酬賞系統:聽眾對於終止式的情緒反應。藝術學報,8(1)=90,325-345。new window  延伸查詢new window
3.Ali, S. O.、Peynircioğlu, Z. F.(2006)。Songs and emotions: Are lyrics and melodies equal partners?。Psychology of Music,34(4),511-534。  new window
4.Benedek, M.、Kaernbach, C.(2010)。Decomposition of skin conductance data by means of nonnegative deconvolution。Psychophysiology,47,647-658。  new window
5.Brattico, E.、Alluri, V.、Bogert, B.、Jacobsen, T.、Vartiainen, N.、Nieminen, S.、Tervaniemi, M.(2011)。A functional MRI study of happy and sad emotions in music with and without lyrics。Frontiers in Psychology,2。  new window
6.Chan, Yu-Chen、Chou, Tai-Li、Chen, Hsueh-Chih、Liang, Keng-Chen(2012)。Segregating the comprehension and elaboration processing of verbal jokes: An fMRI study。NeuroImage,61(4),899-906。  new window
7.Davis, S.、Koch, H. C.(1983)。The classic concerto, and the sonataform retransition。Journal of Musicology,2,45-61。  new window
8.Koelsch, S.(2005)。Neural substrates of processing syntax and se mantics in music。Current Opinion in Neurobiology,15,207-212。  new window
9.Koelsch, S.、Fritz, T.、Schlaug, G.(2008)。Amygdala activity can be modulated by unexpected chord functions during music listening。Neuroreport,19,1815-1819。  new window
10.Lee, C. J.、Andrade, E. B.、Palmer, S. E.(2013)。Interpersonal relationships and preferences for mood-congruency in aesthetic experiences。Journal of Consumer Research,40(2),382-391。  new window
11.Lehne, M.、Rohrmeier, M.、Koelsch, S.(2014)。Tension-related activity in the orbitofrontal cortex and amygdala: An fMRI study with music。Social Cognitive and Affective Neuroscience,9(10),1515-1523。  new window
12.McKenna, G.、Hevey, D.、Martin, E.(2010)。Patients' and providers' perspectives on bibliotherapy in primary care。Clinical Psychology and Psychotherapy,17,497-509。  new window
13.Middleton, R.(1993)。Popular music analysis and musicology: Bridging the gap。Popular Music,12,177-190。  new window
14.Nattiez, J.(1990)。Can one speak of narrativity in music?。Journal of the Royal Musical Association,115,240-257。  new window
15.Morth, A. C.、Hargreaves, D. J.(1995)。Subjective complexity, familiarity, and liking for popular music。Psychomusicology: A Journal of Research in Music Cognition,14(1/2),77-93。  new window
16.Northoff, G.、Heinzel, A.、De Greck, M.、Bermpohl, F.、Dobrowolny, H.、Panksepp, J.(2006)。Self-referential processing in our brain--a meta-analysis of imaging studies on the self。Neuroimage,31,440-457。  new window
17.Pereira, C. S.、Teixeira, J.、Figueiredo, P.、Xavier, J.、Castro, S. L.、Brattico, E.(2011)。Music and emotions in the brain: Familiarity matters。PLos One,6(11),e27241。  new window
18.Salzman, C. D.、Fusi, S.(2010)。Emotion, cognition, and mental state representation in amygdala and prefrontal cortex。Annual Review of Neuroscience,33,173-202。  new window
19.Shamgar, B.(1981)。On locating the retransition in classic sonata form。Music Review,42,130-143。  new window
20.Shrodes, C.(1995)。Bibliotherapy。The Reading Teacher,9,24-30。  new window
21.Schellenberg, E. G.、Corrigall, K. A.、Ladinig, O.、Huron, D.(2012)。Changing the tune: Listeners like music that expresses a contrasting emotion。Frontiers in Psychology,3,574。  new window
22.Tillmann, B.、Koelsch, S.、Escoffier, N.、Bigand, E.、Lalitte, P.、Friederici, A. D.、Von Cramon, D. Y.(2006)。Cognitive priming in sung and instrumental music: Activation of inferior frontal cortex。Neuroimage,31,1771-1782。  new window
23.蔡振家、陳容姍、蔡宗憲(2014)。The arousing and cathartic effects of popular heartbreak songs as revealed in the physiological responses of listeners。Musicae Scientiae,18(4),410-422。  new window
24.Way, E. C.(1992)。Metaphor as a mechanism for reorganizing the type hierarchy。Knowledge-Based Systems,5,223-232。  new window
25.Blood, Anne J.、Zatorre, R. J.(2001)。Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion。Proceedings of the National Academy of Sciences of the United States of America,98(20),11818-11823。  new window
26.Guhn, Martin、Hamm, A.、Zentner, M.(2007)。Physiological and Musico-Acoustic Correlates of the Chill Response。Music Perception: An Interdisciplinary Journal,24(5),473-484。  new window
27.Rickard, N. S.(2004)。Intense emotional responses to music: A test of the physiological arousal hypothesis。Psychology of Music,32(4),371-388。  new window
28.Grewe, O.、Nagel, F.、Kopiez, R.、Altenmüller, E.(2007)。Emotions over Time: Synchronicity and Development of Subjective, Physiological, and Facial Affective Reactions to Music。Emotion,7(4),774-788。  new window
29.Benedek, M.、Kaernbach, C.(2011)。Physiological correlates and emotional specificity of human piloerection。Biological Psychology,86(3),320-329。  new window
30.Menon, V.、Levitin, D. J.(2005)。The rewards of music listening: Response and physiological connectivity of the mesolimbic system。Neuroimage,28(1),175-184。  new window
31.Patel, Aniruddh D.(2003)。Language, music, syntax and the brain。Nature Neuroscience,6,674-681。  new window
32.Janata, Petr(2009)。The Neural Architecture of Music-Evoked Autobiographical Memories。Cerebral Cortex,19(11),2579-2594。  new window
33.Blain, S.、Mihailidis, A.、Chau, T.(2008)。Assessing the potential of electrodermal activity as an alternative access pathway。Medical Engineering & Physics,30,498-505。  new window
34.Craig, D. G.(2005)。An exploratory study of physiological changes during “chills” induced by music。Musicae Scientiae,9(2),273-287。  new window
35.Salimpoor, V. N.、Benovoy, M.、Larcher, K.、Dagher, A.、Zatorre, R. J.(2011)。Anatomically distinct dopamine release during anticipation and experience of peak emotion to music。Nature Neuroscience,14(2),257-262。  new window
36.Salimpoor, V. N.、Benovoy, M.、Longo, G.、Cooperstock, J. R.、Zatorre, R. J.(2009)。The rewarding aspects of music listening are related to degree of emotional arousal。PLoS One,4(10)。  new window
學位論文
1.羅佳珣(2006)。音樂在失戀復原效果之研究(碩士論文)。大葉大學。  延伸查詢new window
2.陳學志(1991)。「幽默理解」的認知歷程(博士論文)。國立臺灣大學。new window  延伸查詢new window
圖書
1.Cooper, G. W.、Meyer, L. B.(1960)。The Rhythmic Structure of Music。Chicago, IL:University of Chicago Press。  new window
2.徐頌仁(2001)。音樂演奏的實際探討。全音樂譜出版社。  延伸查詢new window
3.Rosen, Charles(1988)。Sonata Forms。New York:WW Norton。  new window
4.Davis, S.(1984)。The craft of lyric writing。Cincinnati, OH:Writer's Digest Books。  new window
5.Jhally, Sut(1990)。The codes of advertising: Fetishism and the political economy of meaning in the consumer society。Routledge。  new window
6.Hynes, A. M.、Hynes-Berry, M.(1986)。Bibliotherapy--the interactive process: A handbook。Boulder, CO:Westview Press。  new window
7.Meyer, Leonard B.(1956)。Emotion and Meaning in Music。Chicago。  new window
8.高友工、柯慶明(2004)。中國美典與文學研究論集。臺北:國立臺灣大學出版中心。new window  延伸查詢new window
9.蔡振家(2011)。另類閱聽--表演藝術中的大腦疾病與音聲異常。臺北:臺大出版中心。  延伸查詢new window
10.Huron, D. B.(2006)。Sweet Anticipation: Music and the Psychology of Expectation。Cambridge, Massachusetts:MIT Press。  new window
圖書論文
1.Webster, J.(2001)。Retransition。The new grove dictionary of music and musicians。New York, NY:Macmillan。  new window
 
 
 
 
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