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題名:民族舞蹈創作的實踐經驗--外顯性與內隱性的轉化
書刊名:臺灣舞蹈研究
作者:蕭君玲 引用關係鄭仕一 引用關係
作者(外文):Hsiao, Chin-lingCheng, Shih-yi
出版日期:2012
卷期:7
頁次:頁1-26
主題關鍵詞:外顯內隱想像經驗ExplicitImplicitImaginationExperience
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
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  • 共同引用共同引用:118
  • 點閱點閱:15
身體技能實踐經常得透過易理解的、隱喻的或具有想像空間的方式來進行轉化,以提昇其「內隱性」感知,並使之轉移至身體技能的實踐上,以期提昇技能、改善技能。身體技能實踐是一種身體處於有著某種規律性的與某種獨特性的動態過程,身體技能表現是在一種熟悉的規律裡運行著,既然是在熟悉的規律中運行著,那麼每一次的運行,都會逐漸產生並累積許許多多的深沉的、隱化的感知。此種感知當然是一種屬於身體技能實踐中的轉化,它由實踐的過程中逐漸累積而成,這種轉化就是一種「內外」相互轉化的現象。身體技能的實踐轉化中其「身體感」經常不自覺地感知著一些從未發生過的事或從未真正被理解清楚的事物,意向著未來,意向著科學無法實證的隱匿現象,意向著自我心靈的種種想像。意向總是混合著許多的顯現與不顯現,因為如此的交互作用,同一性才得以被主體所感知、掌握。因此,關於「身體技能的實踐轉化」的研究,除了身體技能科學研究外,實踐經驗的詮釋亦顯得重要。然而「技能實踐」總是無法完全地、一模一樣的「再現」,因此多元意涵的研究文本是需要以一種更開闊的心胸來接受的,身體技能的經驗轉化,應該獲得良好的重視,並加深其研究價值。
Technique practice through bodily experience is often transformed through interesting, comprehensible, tacit, or imaginary methods that enhance the strength of the ‘tacit experience,’ and transfer it to the practice of physical technique, in the hope of elevating and improving that technique. Technique practice in the body is a kinetic process that allows a certain type of regularity and uniqueness to be situated in the body. Physical technical performance operates in a familiar regular rhythm. Each operation gradually produces and accumulates deep and internalized understanding. This type of understanding is an experience system that gradually accumulates in the body through the process of practice. The corporeality of experience transformation in technical practice tends to unconsciously “intend” for some things that have never happened or have never truly been clearly understood. It can also “intend” the future; a latent phenomena that cannot be empirically proven by explicit, or various imaginings of one’s own mind. Intentionality is always mixed with many explicit and implicit things. Through interaction between the implicit and explicit, uniformity can be intended and grasped by the subject. In any study on experience transformation of technical practice through bodily technique, literary, historical and philosophical interpretations are important, not only scientific ones. Technical practice never completely ‘re-presents’ in exactly the same way. It is necessary to open one’s heart to accept a research text with diverse meanings. The experience transformation of technical practice in bodily technique should receive more attention, and its research value should be deepened.
期刊論文
1.楊大春(2003)。意識哲學解體的身體間性之維--梅洛•龐蒂對胡塞爾他人意識問題的創造性讀解與展開。哲學研究,2003(11),69-75。  延伸查詢new window
研究報告
1.李欣复(2007)。審美動力學與藝術思維學--中國思維科學研究報告。中國社會出版社。  延伸查詢new window
圖書
1.于平、唐滿城(1998)。中國古典舞身韻中國舞蹈教學。北京:北京舞蹈學院。  延伸查詢new window
2.王炳社(2011)。隱喻藝術思維研究。北京:中國社會科學出版社。  延伸查詢new window
3.朱光潛(1980)。美感與聯想--朱光潛美學文學論文選集。湖南人民出版社。  延伸查詢new window
4.胡妙勝(2008)。戲劇與符號。上海:上海文藝出版社。  延伸查詢new window
5.Merleau-Ponty、姜志輝(2005)。知覺現象學。商務印書館。  延伸查詢new window
6.馮廣藝(2002)。漢語比較研究史。湖北教育出版社。  延伸查詢new window
7.Schön, Donald A.、夏林清、鄭村棋(2004)。反映的實踐者:專業工作者如何在行動中思考。台北:遠流。  延伸查詢new window
8.野中郁次郎、竹內弘高、楊予江、王美音(2006)。創新求勝。臺北市:遠流。  延伸查詢new window
9.王國維(1960)。蕙風詞話.人間詞話。北京:人民文學出版社。  延伸查詢new window
10.耿占春(1993)。隱喻。北京:東方出版社。  延伸查詢new window
11.滕守堯(199803)。審美心理描述。成都:四川人民出版社。  延伸查詢new window
12.羅伯•索科羅斯基、李維倫(2005)。現象學十四講。臺北:心靈工坊文化事業股份有限公司。  延伸查詢new window
13.龔卓軍(20060000)。身體部署:梅洛龐蒂與現象學之後。臺北:心靈工坊。new window  延伸查詢new window
14.博藍尼、許澤民(2004)。個人知識:邁向後批判哲學。商周。  延伸查詢new window
 
 
 
 
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