本文先從語言的兩個外緣因素討論王文興創作時期的文化語境，以作為聯繫探討王文興小說語言主體性生成初期的可能性因素。此二外緣因素為：一是起因於當時使用白話文語體創作困境的不滿與思考；二是在小說的語言和文字的能指關係中，小說語言日漸向文字符號傾斜的觀察與突破。此二外緣因素加之受到當時現代主義思潮的影響，促使王文興在小說語言上的實驗與創新，進而形塑出其獨特的小說語言主體性。後文筆者將以三個角度探討其語言主體性逐漸生成的可能性歷程：一是其在內容上敘事漸趨聚焦的確立過程；二是在語音上辨析省（籍）差異的語音／語境思考與寫作語言；三是在中文語言的能指關係上的移動與擴張，藉此三點探討王文興小說語言的初期演變軌跡及其語言主體性的建立基礎。

This paper mainly discusses the cultural context of Wang Wenxing's creative period from the outer factors of the two languages, and discusses the source and process possibility of Wang Wenxing's linguistic subjectivity. The second part is the dissatisfaction with the dilemma of the vernacular language. Second, in the relationship between the language of the novel and the sign of the characters, the dialectical and breakthrough of the language of the novel to the text. The influence of modernism and the influence of modernism has promoted the experimental innovation of Wang Wenxing for the novel language and shaped the main features of his novel language. The author discusses the process of the formation of linguistic subjectivity from three perspectives: one is the process of establishing the narrative gradually focused; the second is the reflection of the internal voice / context difference between the provinces (the other); the third is that the Chinese language can reflect the movement of the relationship, To explore the gradual evolution of Wang Wenxing 's novel language and the establishment process of its linguistic subjectivity.