The dispute between ”Confucianism” and ”Legalism” in the pre-Qin period was actually a struggle between ”rite” and ”law. ”The writer now proposes two concepts, ”music (yue) inherent in rite (li)” and ”law inherent rite” and analyzes the differences between ”rite-music” and ”rite-law;” he also points out why Confucius focused on rather the idea of ”kindness (jen)” than the rapidly effective idea of ”law” in an era when rite and music were collapsing. Here we also analyze the meaning of Confucius choosing to interpret the meaning of the Zhou ”rite” in the light of kindness (jen), which is in essence just like a philosopher choosing a certain kind of wisdom to propose visions for a people. First, the writer explains the meaning of music (yue) in Confucianism; and then he analyzes some of Confucius's sayings-”It is by the Rules of Propriety (Rite) that the character is established,” and ”it is from Music that the finish is received”-pointing out why music (yue) can be the foundation of rite. Furthermore, based on the fact that the original concept of ”yue” in Confucianism was not equivalent to ”music,” the writer demonstrates his theme: other than being related to singing and dancing, ”yue” is also the medium of the ”voice of morality”; in the Confucian ceremony and propriety, ”yue” not only disseminates the spirit of ”rite”-such as ”the way of the father and the son, the ruler and the liegeman as well as the old and the young”-but also represents the ”importance of rite.” In contrast, the ”legalistic rite” is ”rite inherent in law,” taking ”law” as the supreme value. Based on such a distinction, the Confucian rite and the Legalistic rite are extremely different. According to Xun Zi's philosophy, ”rite” is still the guide of ”law,” and yet for a legalist, ”rite-law” is to dominate rite with law.” Through analyzing the meaning of the transformation from ”music inherent in rite” to ”law inherent in rite,” this paper reveals the coherent spirit of the three Confucian concepts, kindness, rite and music on the one hand; on the other hand, analyzing the concept, ”the essence of rite,” we make one's understanding about the Confucian ”rite” based on the background of the concept of ”music (yue),” in wishes to prevent the essence of ”rite” from gradually transforming into the idea of ”law” and, furthermore, understand the overall Confucian thinking of Confucius's sayings: ”It is by the Odes that the mind is aroused. It is by the Rules of Propriety (Rite) that the character is established. It is from Music that the finish is received.”