關於山水的書寫活動，牽涉到人（身體）與空間（山水）的介入，當作者以「身」與自然相遇，在「體現」、客觀的描述之中，已然涵藏了文學美感。本文以王士性《五嶽遊草》為論述焦點，分從「以感官經驗為山水構圖」、「紀實與抒情：吳越書寫的二重特徵」等面向探討王士性如何藉由感官經驗認知山水的實然存在，並透過身體經驗與山水之間的交會與銘刻，以「紀實」之筆，建構地理景觀；在地景的摹寫之外，亦演繹了歷史記憶的文化想像，展現了山水構圖的紀實特徵與抒情性。

This paper focuses on Wang Shi-Hsing's Travel Notes of Five Sacred Mountains. Through the body schema, I examine how Wang senses the real existence of nature by his sensory experience; how can he embody the crossover of physical experience and nature; and how to recognize a place and give it a name. Wang composes the nature with his sensory experience. He also keeps a record of folks via his own exploration and constructs the landscape with his documentary touch. In addition to the description of natural landscape, he traces the Cultural Imagination of historical memory.