梁寒衣（苗栗縣籍作家，1959- ）在早期小說中，常運用魔幻進路與艱深的語言，表現深刻的佛理，藉文學「自度」的意味濃。近年來，則漸漸接近人群傳道演講，「度人」的意味重，散文作品較流暢易讀。觀察梁寒衣文學的表達與本身體道的進境是相輔相成的，因此，本論文分析梁寒衣的文本，指出梁寒衣作品的佛化特色，並抉發哲理美、自然美、意象美三項審美境界。另外，除了與佛教文學作家比較外，還進一步探索其客家觀照、與客家文化之間的關聯性，進而指出梁寒衣作品在人間佛教散文寫作的特殊性，也是客家文學中的異數。

In Han-Yi Liang's (Miao-Li, 1959-) early novels, she often used fantastic approaches and difficult language to express Buddhism. They had strong implication of ”self redemption”. Lately, she began to approach people in lecturing and preaching. Her works leaned more toward ”redemption for others” and became fluid and easy to read. Observing Liang's expression in literature and her personal approaches toward religion could complement each other. Therefore, this paper analyzed Liang's works and pointed out the characteristics of Buddhism in these works. In addition to comparison with other Buddhism authors, the paper further explored the relationship between Liang's works and Hakka culture. The conclusion was that Liang's works was distinctive both in Buddhism prose and in Hakka literature.