隨著兩岸文教活動快速推進，兩岸在音樂教育上也展開了愈趨熱絡的交流合作。國際與區域治理模式深受全球化影響，跨區域兩地如何透過夥伴關係治理達到互惠，實為一重要課題。鑑於教育產業的崛起，遂將產業界的夥伴關係理論作為本文立論基礎，佐以「NTSO兩岸青少年管弦樂團」專案經驗，從音樂教育夥伴關係的策略運用，延伸到音樂文創產業的共治效益；從培訓兩岸音樂新秀至開拓亞洲音樂市場，共同發展兩岸音樂文創產業；從音樂文創產業擴展到文化觀光產業的品牌建立，著實創造了亞洲音樂市場文創產業，與文化觀光產業的經濟效益。打造臺灣在後《兩岸經濟合作架構協議》時代的黃金十年，裨益兩岸音樂教育未來發展的實踐。

With the rapid emergence of cross-strait cultural and educational activities, Taiwan and mainland China have become much more involved in music education exchange and collaboration. Because globalization is having such a profound impact on international and regional governance models, it is critical for Taiwan and mainland China to use partnership governance for attaining mutual benefits. In view of the growth of the education industry, a study has been conducted, based on the theory of partnership operations and the experiences of the Cross-strait Youth Orchestra Brochures, NTSO Project, to explore the application of strategies of the music education partnership and co-governance of the cultural and creative industry of music. The cultivation of new musicians and the expansion of the Asian music market for developing the cultural and creative industry of music across the Taiwan strait have also been examined. Finally, the expansion of the cultural and creative industry of music for branding the cultural tourism industry and creating economic benefits for not only the Asian music market but also the cultural and creative industry and the cultural and tourism industry have been carefully looked into. The information provided by this study will be helpful for bringing Taiwan a golden post-ECFA decade and for promoting the development of music education across the Taiwan strait in the future.