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題名:電子時代的現場表演:不同世代閱聽人「現場感」初探
書刊名:資訊社會研究
作者:吳翠松 引用關係
作者(外文):Wu, Tsui-sung
出版日期:2016
卷期:30
頁次:頁61-103
主題關鍵詞:現場感媒介文化現場表演世代閱聽人Live performanceMedia cultureLivenessGenerationAudience
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:66
  • 點閱點閱:95
期刊論文
1.Schieffelin, E. L.(2005)。Moving performance to text: Can performance be transcribed。Oral Tradition,20(1),80-92。  new window
2.Barba, E.(1992)。Efermaele: that which will be said afterwards。Drania Review,36(2),77-80。  new window
3.McConachie, B.(2010)。An evolutionary perspective on live and mediated popular performance。Popular Entertainment Studies,1(1),26-43。  new window
4.McAuley, G.(1994)。The video documentation of theatrical performance。New Theatre Quarterly,38,183-194。  new window
5.Reason, M.(2006)。Young audiences and live theatre, Part 2: Perceptions of liveness in performance。Studies in Theatre and Performance,26(3),221-241。  new window
6.Reason, M.(2004)。Theatre audiences and perceptions of 'Liveness' in performance。Particip@tions,1(2)。  new window
7.Scheub, H.(1971)。Translation of African oral narrative-performances to the written word。Yearbook of Comparative and General Literature,20,8-36。  new window
8.周雅容(19970400)。焦點團體法在調查研究上的應用。調查研究:方法與應用,3,51-73。new window  延伸查詢new window
會議論文
1.Bown, O.、Bell, R.、Parkinson, A.(2014)。Examining the perception of liveness and activity in laptop music: Listeners' inference about what the performer is doing from the audio alone。The International Conference on Now Interfaces for Musical Expression。  new window
研究報告
1.鍾蔚文(2007)。身體感的前世今生:從親身互動到數位中介活動。  延伸查詢new window
學位論文
1.郭藺萩(2008)。演唱會之臨場體驗價值階層探索-世代、演唱會類型與臨場感觀點(碩士論文)。朝陽科技大學。  延伸查詢new window
2.葉千慈(2010)。台灣年輕族群對流行音樂演唱會體驗歷程之研究(碩士論文)。國立中正大學。  延伸查詢new window
3.吳翠松(2004)。文字時代的口語人:文化工具箱觀點之初探(博士論文)。國立政治大學。new window  延伸查詢new window
4.林家緯(2008)。超級籃球聯賽(SBL)現場觀眾體驗品質對體驗滿意度及忠誠意願影響之研究(碩士論文)。國立中正大學。  延伸查詢new window
圖書
1.McLuhan, Marshall、葉明德(1978)。傳播工具新論。臺北:巨流圖書有限股份公司。  延伸查詢new window
2.Fowler, Roger(1996)。Linguistic criticism。Oxford:Oxford University。  new window
3.Connor, S.(1989)。Postmodernist Culture。Oxford:Basil Blackwell。  new window
4.Ong, Walter Jackson(1982)。Orality and Literacy: The Technologizing of the Word。Methuen。  new window
5.Zarrilli, Phillip B.、McConachie, Bruce、Williams, Gary Jay、Sorgenfrei, Carol Fisher(2006)。Theatre Histories: An Introduction。Routledge。  new window
6.麥克魯漢、賴盈滿(2008)。古騰堡星系:活版印刷人的造成。臺北:貓頭鷹。  延伸查詢new window
7.Adorno, Theodor W.、Ashton, E. B.(1976)。Introduction to the Sociology of Music。New York:Seabury Press。  new window
8.Postman, N.、蕭昭君(2007)。童年的消逝。臺北:遠流。  延伸查詢new window
9.蘇碩斌、吉見俊哉(2009)。媒介文化論。台北:群學。  延伸查詢new window
10.Santrock, J. W.(2003)。Psychology essentials。McGraw-Hill。  new window
11.Phelan, Peggy(1993)。Unmarked: The Politics of Performance。Routledge。  new window
12.Boyd, Brian(2009)。On the Origin of Stories: Evolution, Cognition, and Fiction。Cambridge, MA:Belknap。  new window
13.張春興(1998)。張氏心理學辭典。台北:東華書局。  延伸查詢new window
14.Finnegan, R.(1992)。Oral traditions and the verbal art: A guide to research practices。Routledge。  new window
15.Schechner, R.(2003)。Performance Theory。New York:Routledge。  new window
16.Stanislavski, K.(1987)。My life in art。New York:Taylor & Francis。  new window
17.Stone, R. M.(1982)。Let the Inside be Sweet: The Interpretation of Music Event among the Kpelle of Liberia。Bloomington:Indiana University Press。  new window
18.Willig, C.(1999)。Applied discourse analysis。Philadelphia:Open University Press。  new window
19.Thom, P.(1993)。For an Audience: A Philosophy of the Performing Arts。Philadelphia:Temple University Press。  new window
20.Auslander, Philip(1999)。Liveness: Performance in a Mediatized Culture。Routledge。  new window
21.Sternberg, R. J.、Mio, J. S.(2009)。Cognitive psychology。Wadsworth:Cengage Learning。  new window
其他
1.行政院主計處(1994)。中華民國臺灣地區八十三年家庭收支調查報告,臺北:行政院主計處。,http://win.dgbas.gov.tw/fies/doc/result/83.pdf。  延伸查詢new window
2.台北小巨蛋(2012)。小巨蛋簡介,http://www.arena.taipei/ct.asp?xItem=40258788&ctNode=59030&mp=12203a。  new window
3.行政院主計處(2006)。中華民國臺灣地區九十五年家庭收支調查報告,http://win.dgbas.gov.tw/fies/doc/result/95.pdf。  延伸查詢new window
4.袁世珮(20100528)。演唱會場場爆江蕙開10萬人都說:她懂我。  延伸查詢new window
5.Zemmels, D.(2004)。Liveness and Presence in Emerging Communication Technologies,http://david.zemmels.net/scholarship/Comm7470.html。  new window
圖書論文
1.鍾蔚文(2004)。想像語言:從Saussure到台灣經驗。台灣傳播學的想像。台北:巨流。  延伸查詢new window
2.Burman, E.、Parker, I.(1993)。Introduction--discourse analysis: the turn to the text。Discourse Analytic Research: Repertoires and Readings of Texts in Action。London:Routledge。  new window
3.Newell, K. M.、McDonald, P. V.(1992)。Practice: A search for task solutions。Enhancing human performance in sport: New Concept and Developments。Champaign, IL:Human Kinetics。  new window
4.Malloy, K.(1999)。Theatre and Film。Theatre: The Lively Art。Columbus:McGraw-HillCollege Press。  new window
5.Wurtzler, S.(1992)。She sang live, but the microphone was turned off: The live, the recorded, and the subject of representation。Sound Theory Sound Practice。New York:Routledge。  new window
 
 
 
 
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