Most of the research on Lilian Lee Pik-wah’s novel are highly focused on her writing on China and the rewriting of old stories during the period of Hong Kong returned to Chinese sovereignty. Lilian wrote a lot of short ghost novels after the handover of Hong Kong, and she started to publish revised or extended editions ever since her novels made into movies in 2003. Although the idea of ‘disenchantment’ is highly valued in both Chinese literature tradition and censorship system of China’s government, Lilian still portrays Hong Kong as a ＂ghost town＂, depicts Hong Kong in a way that nobody else does. Shih Shumei, the founder of the Sinophone studies, has proposed the idea of anti-incorporation, against diaspora and decentralization of mainland China. She reminds us about Lilian’s unique writing such as using coarse Cantonese spoken language and ghost-taboo writing, which offends the PRC (People's Republic of China) government. Lilian is trying to create an open space for a whole new way of articulation. This research firstly focuses on the context of anti-incorporation of Lilian’s writing, states that the articulation of ＂post-03＂ is stronger than ＂post-97＂. The attack of atypical pneumonia (SARS) and a series of death events of Hong Kong stars in 2003 started to enhance the internal cohesion of Hongkongese, which encouraged Lilian to start her ghost-taboo writing. This research tends to reinterpret Lilian’s ghost novels by showing the conflicting relationships between Hong Kong and mainland China, reveals Lilian's anti-mainland sentiments through her unique coarse writing, narrative of violence and ghost