Scrutinizing the modern research results of Wen-Hsin-Diao-Lung, we often find out that scholars approach the critical materials on this canonical masterpiece from a “static” angle. This often results in neglecting the problematic vision of the masterpiece, which is based on the “dynamic process” to construct its text-based theoretical structure. Also, this makes it more difficult to unveil the “polemical nature” inherent in the structure and rhythm of Liu-Hsieh’s “dynamic process.” Therefore, this paper is planned to be an extension of the paper already published in the 22nd issue of Tamkang Chinese Journal in June, 2010, further presupposing that there is a literary vision called “Wen-Ti-Tung- Pien-Guan” inherent in Liu’s mind. Liu utilizes this vision to deal with the literary crisis and problems existing then and Liu employs this to actualize his ideals. Based on this, this paper will further explore Liu-Hieh’s “dissolution of literary text” and “imbalance of literary nature” to re-examine and unveil his literary mission and ideals inherent in “Wen-Ti-Tung-Pien-Guan” through exploration of his “problematic vision” toward the “past,” the “present,” and the “future.”