新竹古典詩人王松（1866－1930），膾炙人口的代表作《臺陽詩話》二卷，為晚清以降日治時期代表性詩話，以古典詩歌的評述或解讀為主要內涵。近年學界多著重王松詩話中之祖國意識及民族氣節的書寫。在1905年《臺陽詩話》出版後，暌隔十九年，1924年王松陸續將《臺陽詩話續編》投稿於臺北文藝月刊《臺灣詩報》，是為晚年詩話的總輯。本文嘗試以《臺陽詩話續編》為研究素材，自版本考述其紀錄文人卅一位及卅八條目之內容作爬梳整理，以了解王松載錄詩文內涵及《臺陽詩話續編》的特色與價值。

Two volumes of ”Taiyang Poetic Causeries” published in 1905 is a signature poetic discourse written by Hsinchu classical poet Wang Song (1866-1930) during Japanese colonial era of Taiwan in the late Qing Dynasty. This work which has enjoyed great popularity focuses on commentary or interpretation of classical poetry. In more recent years, academic circle places particular emphasis on the writing of consciousness of nation and national integrity in Wang's poems. Nineteen years after ”Taiyang Poetic Causeries” was published in 1905, Wang continuously submitted the writing of ”Sequel of Taiyang Poetic Causeries” to ”Taiwan Poetry Forum” of Taipei Literary Monthly in 1924 was the general compilation of poems in his later years. This essay takes ”Sequel of Taiyang Poetic Causeries” as the research material to comb through and organize the contents in research edition which recorded 31 literati and 38 particulars to understand the connotation of Wang's poems and characteristics and value of ”Sequel of Taiyang Poetic Causeries”.