This thesis observes the published novels written by three authors born in the 80s in Taiwan, i.e. Huang Chong-kai (1981-), Shen Xiao-feng (1984-), and Zhu You-Xun (1988-) in order to find out the commonalities in texts written by Taiwanese authors born in the 80s.The current paper argues that novels written by authors born in the 80s, following the context of postmodern novels since the 80s, are no longer narratives that describe the challenge posed by marginal group toward the official grand, as they begin with emotions, and use more private and fragmented narrations to reflect the temporal environment in which the novelists situate. The three authors' novels express the same depiction for contemporary spiritual scenery, with three keywords of "loneliness," "disappearance" and "collapse" to reveal the transition of emotional structure of contemporary people under the influence of urban civilization, commercial culture and virtual internet. Accordingly, when writing novels, the three authors also use "lying" as a primary creative idea. In the novel, author, narrator, or characters can "fabricate for fabrication's sake," in hopes of "doing-over" via disappeared matters and damaged emotions, and resisting the disturbance of urban civilization to humanity by writing novels. However, using novels as a way to console the mind is only a "light" posture of resistance toward the world. It is more of a way to "adapt to" the world.Finally, the paper summarizes how the novels of the three authors have inherited from and transformed the postmodern novels. They have innovative attempts and excellent performance in breaking through the boundary between refined and popular culture, as well as in using formal techniques to define the core values of postmodern thought; their future creative performance is worthy of expectation and attention.