眷村是臺灣特殊歷史、社會發展下的文化產物。《寶島一村》這部講述眷村故事的戲劇，被認為是臺灣文化的紀念碑。本文認為，在該戲劇中關於兩代人長達60年，多層次、不斷變化的身分認同的建構是很有研究意義的，因此乃利用文化研究中民族主義及身分認同相關理論，以戲劇文本與舞臺戲劇手法為研究主體，探討該戲劇中兩代眷村人對臺灣、故鄉、歷史、族群等文化符號的認同問題，以及他們複雜的認同變遷，直至最後隨著眷村拆遷導致認同瓦解的全過程。

Since ＜The Village＞ premiered in December 2008, this three-hour drama has been held to be a cultural monument of Taiwan, as it vividly represents the reality of military community life on this island. The theme of the identity construction, multi-leveled and subject to change, of two generations across sixty years is a tremendously significant topic, yet very few studies on this drama have treated it seriously. Through the lens of cultural study theories of nationalism and identity, this paper attempts to explore the problem of identity encountered by the military community people in ＜The Village＞, whose identity is marked by the history of being forced to move to Taiwan and 40 years later seeing their homeland again. The specific topics for investigation include the cultural symbols of Taiwan, hometown, and ethnic group; complex and changing identity formation; and the correlation between the demolition of the military dependents' villages and the collapse of their identity.