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題名:音樂創作的心理學:自我、執行控制、創意產生
書刊名:關渡音樂學刊
作者:蔡振家 引用關係
作者(外文):Tsai, Chen-gia
出版日期:2018
卷期:27
頁次:頁33-52
主題關鍵詞:作曲即興自我執行控制創意產生CompositionImprovisationSelfExecutive controlCreative idea generation
原始連結:連回原系統網址new window
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  • 共同引用共同引用:1088
  • 點閱點閱:6
期刊論文
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6.Jung, R. E.、Grazioplene, R.、Caprihan, A.、Chavez, R. S.、Haier, R. J.(2010)。White matter integrity, creativity, and psychopathology: disentangling constructs with diffusion tensor imaging。PLos One,5(3)。  new window
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8.Bengtsson, S. L.、Csíkszentmihályi, M.、Ullén, F.(2007)。Cortical regions involved in the generation of musical structures during improvisation in pianists。J. Cogn. Neurosci.,19,830-842。  new window
9.Berkowitz, A. L.、Ansari, D.(2008)。Generation of novel motor sequences: the neural correlates of musical improvisation。Neuroimage,41(2),535-543。  new window
10.De Manzano, Ö.、Ullén, F.(2012)。Goal-independent mechanisms for free response generation: creative and pseudo-random performance share neural substrates。Neuroimage,59(1),772-780。  new window
11.Limb, C. J.、Braun, A. R.(2008)。Neural substrates of spontaneous musical performance: an fMRI study of jazz improvisation。PLoS One,3(2),e1679。  new window
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13.Mayseless, N.、Shamay-Tsoory, S. G.(2015)。Enhancing verbal creativity: Modulating creativity by altering the balance between right and left inferior frontal gyrus with tDCS。Neuroscience,291,167-176。  new window
14.Addis, D. R.、Wong, A. T.、Schacter, D. L.(2007)。Remembering the past and imagining the future: common and distinct neural substrates during event construction and elaboration。Neuropsychologia,45(7),1363-1377。  new window
15.Aron, A. R.、Robbins, T. W.、Poldrack, R. A.(2014)。Inhibition and the right inferior frontal cortex: one decade on。Trends in Cognitive Sciences,18(4),177-185。  new window
16.Beaty, R. E.(2015)。The neuroscience of musical improvisation。Neurosci. Biobehav. Rev.,51,108-117。  new window
17.Beaty, R. E.、Benedek, M.、Silvia, P. J.、Schacter, D. L.(2016)。Creative cognition and brain network dynamics。Trends in Cognitive Sciences,20(2),87-95。  new window
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20.Boccia, M.、Dacquino, C.、Piccardi, L.、Cordellieri, P.、Guariglia, C.、Ferlazzo, F.、Giannini, A. M.(2017)。Neural foundation of human moral reasoning: an ALE meta-analysis about the role of personal perspective。Brain Imaging Behav.,11(1),278-292。  new window
21.Chamberlain, S. R.、Hampshire, A.、Muller, U.、Rubia, K.、Del Campo, N.、Craig, K.、Sahakian, B. J.(2009)。Atomoxetine modulates right inferior frontal activation during inhibitory control: a pharmacological functional magnetic resonance imaging study。Biol. Psychiatry,65(7),550-555。  new window
22.Chen, Q.、Yang, W.、Li, W.、Wei, D.、Li, H.、Lei, Q.、Qiu, J.(2014)。Association of creative achievement with cognitive flexibility by a combined voxel-based morphometry and resting-state functional connectivity study。Neuroimage,102 Pt2,474-483。  new window
23.Cona, G.、Semenza, C.(2017)。Supplementary motor area as key structure for domain-general sequence processing: a unified account。Neuroscience & Biobehavioral Reviews,72,28-42。  new window
24.De Pisapia, N.、Bacci, F.、Parrott, D.、Melcher, D.(2016)。Brain networks for visual creativity: a functional connectivity study of planning a visual artwork。Sci. Rep.,6。  new window
25.Donnay, G. F.、Rankin, S. K.、Lopez-Gonzalez, M.、Jiradejvong, P.、Limb, C. J.(2014)。Neural substrates of interactive musical improvisation: an FMRI study of 'trading fours' in jazz。PLoS One,9(2),e88665。  new window
26.Ganzola, R.、Duchesne, S.(2017)。Voxel-based morphometry meta-analysis of gray and white matter finds significant areas of differences in bipolar patients from healthy controls。Bipolar. Disord.,19(2),74-83。  new window
27.Gao, Z.、Zhang, D.、Liang, A.、Liang, B.、Wang, Z.、Cai, Y.、Liu, M.(2017)。Exploring the associations between intrinsic brain connectivity and creative ability using functional connectivity strength and connectome analysis。Brain Connect,7(9),590-601。  new window
28.Harris, R.、Van Kranenburg, P.、De Jong, B. M.(2016)。Behavioral quantification of audiomotor transformations in improvising and score-dependent musicians。PLoS One,11(11),e0166033。  new window
29.Harris, R.、De Jong, B. M.(2015)。Differential parietal and temporal contributions to music perception in improvising and score-dependent musicians, an fMRI study。Brain Res.,1624,1624-253。  new window
30.Hartwright, C. E.、Apperly, I. A.、Hansen, P. C.(2014)。Representation, control, or reasoning? Distinct functions for theory of mind within the medial prefrontal cortex。J. Cogn. Neurosci.,26(4),683-698。  new window
31.Huang, Furong、Tang, Shuang、Sun, Pei、Luo, Jing(2018)。Neural correlates of novelty and appropriateness processing in externally induced constraint relaxation。NeuroImage,172,381-389。  new window
32.Holm-Hadulla, R. M.、Koutsoukou-Argyraki, A.(2017)。Bipolar disorder and/or creative bipolarity: Robert Schumann's exemplary psychopathology -- combining symptomatological and psychosocial perspectives with creativity research。Psychopathology,50(6),379-388。  new window
33.Iannaccone, R.、Hauser, T. U.、Staempfli, P.、Walitza, S.、Brandeis, D.、Brem, S.(2015)。Conflict monitoring and error processing: new insights from simultaneous EEG-fMRI。Neuroimage,105,395-407。  new window
34.Jauk, E.、Neubauer, A. C.、Dunst, B.、Fink, A.、Benedek, M.(2015)。Gray matter correlates of creative potential: a latent variable voxel-based morphometry study。Neuroimage,111,312-320。  new window
35.Jiao, B.、Zhang, D.、Liang, B.、Wang, Z.、Li, J.、Liu, M.、Liang, A.(2017)。Association between resting-state brain network topological organization and creative ability: Evidence from a multiple linear regression model。Biol. Psychol.,129,165-177。  new window
36.Leech, R.、Sharp, D. J.(2014)。The role of the posterior cingulate cortex in cognition and disease。Brain,137(Pt 1),12-32。  new window
37.Lima, C. F.、Krishnan, S.、Scott, S. K.(2016)。Roles of supplementary motor areas in auditory processing and auditory imagery。Trends in Neurosciences,39(8),527-542。  new window
38.Loui, P.(2018)。Rapid and flexible creativity in musical improvisation: review and a model。Ann NY Acad. Sci.,1423(1)。  new window
39.Lu, J.、Yang, H.、He, H.、Jeon, S.、Hou, C.、Evans, A. C.、Yao, D.(2017)。The multiple-demand system in the novelty of musical improvisation: evidence from an MRI study on composers。Front Neurosci.,11。  new window
40.Lu, J.、Yang, H.,、Zhang, X.、He, H.、Luo, C.、Yao, D.(2015)。The brain functional state of music creation: an fMRI study of composers。Sci. Rep.,5。  new window
41.Marron, T. R.、Lerner, Y.、Berant, E.、Kinreich, S.、Shapira-Lichter, I.、Hendler, T., &、Faust, M.(2018)。Chain free association, creativity, and the default mode network。Neuropsychologia,118。  new window
42.Moessnang, C.、Otto, K.、Bilek, E.,、Schafer, A.、Baumeister, S.、Hohmann, S.、Meyer-Lindenberg, A.(2017)。Differential responses of the dorsomedial prefrontal cortex and right posterior superior temporal sulcus to spontaneous mentalizing。Hum. Brain Mapp.,38(8),3791-3803。  new window
43.Pinho, A. L.、De Manzano, O.、Fransson, P.、Eriksson, H.、Ullen, F.(2014)。Connecting to create: expertise in musical improvisation is associated with increased functional connectivity between premotor and prefrontal areas。Journal of Neuroscience,34(18),6156-6163。  new window
44.Pinho, A. L.,、Ullen, F.、Castelo-Branco, M.、Fransson, P.、De Manzano, O.(2016)。Addressing a paradox: dual strategies for creative performance in introspective and extrospective networks。Cereb Cortex,26(7),3052-3063。  new window
45.Rosen, D. S.、Erickson, B.、Kim, Y. E.、Mirman, D.、Hamilton, R. H.、Kounios, J.(2016)。Anodal tDCS to right dorsolateral prefrontal cortex facilitates performance for novice jazz improvisers but hinders experts。Front Hum Neurosci,10。  new window
46.Saggar, M.、Quintin, E. M.、Bott, N. T.、Kienitz, E.,、Chien, Y. H.、Hong, D. W.,、Reiss, A. L.(2017)。Changes in brain activation associated with spontaneous improvization and figural creativity after design-thinking-based training: a longitudinal fMRI study。Cereb Cortex,27(7),3542-3552。  new window
47.Shi, L.、Sun, J.、Xia, Y.、Ren, Z.、Chen, Q.、Wei, D.、Qiu, J.(2018)。Large-scale brain network connectivity underlying creativity in resting-state and task fMRI: Cooperation between default network and frontal-parietal network。Biol. Psychol.,135,102-111。  new window
48.Taruffi, L.、Pehrs, C.、Skouras, S.、Koelsch, S.(2017)。Effects of sad and happy music on mind-wandering and the default mode network。Scientific Reports,7(1)。  new window
49.Vartanian, O.、Skov, M.(2014)。Neural correlates of viewing paintings: evidence from a quantitative meta-analysis of functional magnetic resonance imaging data。Brain Cogn,87,52-56。  new window
50.Vatansever, D.、Manktelow, A.、Sahakian, B. J.、Menon, D. K.、Stamatakis, E. A.(2018)。Default mode network engagement beyond self-referential internal mentation。Brain Connect,8(4),245-253。  new window
51.Wassiliwizky, E.、Koelsch, S.、Wagner, V.、Jacobsen, T.、Menninghaus, W.(2017)。The emotional power of poetry: neural circuitry, psychophysiology and compositional principles。Soc. Cogn. Affect Neurosci.,12(8),1229-1240。  new window
52.Yomogida, Y.、Sugiura, M.、Sassa, Y.、Wakusawa, K.、Sekiguchi, A.、Fukushima, A.、Kawashima, R.(2010)。The neural basis of agency: an fMRI study。Neuroimage,50(1),198-207。  new window
53.賴可、涂可欣(20100500)。大腦暗能量 。科學人,99,36-41。  延伸查詢new window
54.Maslow, Abraham H.(1943)。A Theory of Human Motivation。Psychological Review,50(4),370-396。  new window
圖書
1.Schiller, F.、Wilkinson, E. M.、Willoughby, L. A.(1967)。On the aesthetic education of man in a series of letters。Oxford:Oxford University Press。  new window
2.鈴木大拙、Fromm, Erich、孟祥森(1971)。禪與心理分析。臺北:志文出版社。  延伸查詢new window
3.徐復觀(1974)。中國藝術精神。台北:台灣學生書局。new window  延伸查詢new window
4.高友工(20110000)。中國美典與文學研究論集。臺北:國立臺灣大學出版中心。new window  延伸查詢new window
5.蔡振家(2011)。另類閱聽--表演藝術中的大腦疾病與音聲異常。臺北:臺大出版中心。  延伸查詢new window
6.陳芳英(20090000)。戲曲論集:抒情與敘事的對話。臺北:國立臺北藝術大學。new window  延伸查詢new window
圖書論文
1.Nanay, B.(2014)。An experiential account of creativity。The Philosophy of Creativity。New York:Oxford University Press。  new window
2.Nettl, B.(2001)。Improvisation: I. Concepts and Practices。New Grove Dictionary of Music and Musicians。New York:Oxford University Press。  new window
3.Peacocke, C.(2014)。Musical style and the philosophy of mind。The Philosophy of Creativity。New York:Oxford University Press。  new window
 
 
 
 
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