For the research on Chinese classical literature and aesthetics in the 21^(st) Century, if we recognize "subjectivity in Chinese culture" as the necessary premise, then we should reflect on and take a critical look at the "episteme" popularized during the previous historical period. The purpose of which is to pursue the possibility and examine the appropriateness of academic transformation and paradigm shift. "Cultural subjectivity" is not about the abstract concept of transcendental subjects in the theories about human nature, but about real people existing in the real world. Real people, through conscious efforts and practical experience, gradually form the "historical subjects." "Cultural subjectivity" can only be fostered and formed through the dynamic process of practicing the Confucian precept, "to study and at due times practice what one has studied." The discourse on "aesthetic experience" became established during the "May Fourth Episteme" era from the 1930's to the 1980's, with Kao Yu-kung and Wang Meng-ou as representatives in Taiwan. It failed to reflect the characteristics of the local culture and the society. After decades of "post-May Fourth," in the face of Chinese cultural subjectivity or classical literary or aesthetic research in the 21^(st) century, should we not assign the "May Fourth Episteme" to its appropriate place in history, and look for alternative interpretive models, which will lead to the eventual paradigm shift? How do we shift away from the "May Fourth Episteme" in modern humanities research? The fundamental principle I propose is to establish the "inherent structure." We should stop following the western theories blindly, or applying inappropriate aesthetic theories mechanically to interpret "subjectivity in Chinese culture." Instead, we should "revert" to what is inherent in the traditional Chinese culture, to establish the "inherent structure," create our own interpretive models for aesthetics and use the models to interpret the aesthetic experience of "Chinese cultural subjectivity"