社會的變遷改變了人們以往的觀念及習慣，這樣的衝擊也讓女性的定位在傳統社會規範下有所轉變；女性比起男性更容易受到社會規範及與輿論的影響進而對自己所扮演的身份、自我認同感產生混淆，這樣的情況在原住民族女性的身上更是顯而易見的，同時也造成原住民族女性心理產生矛盾，本創作將上述現象從女性的觀點加以分析、詮釋。 本創作發想是由不同領域的獨立創作作品中找到共同的理念—原住民族女性的生命記憶及身份轉換，並透過她者的觀點進行探討；將抽象的她者觀點利用互動藝術產生具象化轉換多樣的角色，依據觀者價值觀的不同與作品產生連結給予不同回饋，與作品產生共鳴傳達核心概念。本創作亦藉由生命歷程的案例分析了解其心境的轉換進而探究原住民族女性的自我認同感產生的轉變及混淆。透過新媒體的應用以她者觀點展現創作的作品，與原住民藝術家配合進行原住民族女性生命記憶及身份轉換的討論和發表，以互動藝術作為與原住民藝術家之間的橋梁透過這樣的契機引領觀眾介入共創生命情境展現跨界的藝術創作，最終歸納觀眾心理、互動藝術與原住民族女性間進行交織並對未來相關創作提出具體之建議。

Social change has altered people’s past concepts and customs. This impact also changes women’s position under conventional social norms. Women are more easily affected by social rules and public opinion. Therefore, they may be confused about their roles and self-identity. This phenomenon is far more apparent in aboriginal women; meanwhile, mental conflict and cultural integration may occur. Thus, the thesis research aims at analyzing and interpreting the phenomenon from a women’s perspective. The idea of the thesis is looking for a common concept – aboriginal women’s memories of life and the alternation of their identity – in different fields of independent creation and analyzing the works from other people’s, namely, the Other’s, point of view. With interactive creation, the abstract the Other’s viewpoint is transformed into concrete and diverse roles and viewers can resonate with the core value of the creation according to their different philosophies of life and provide various feedback. From the case study, weanalyze the changes in the states of mind of aboriginal women and further probe into the alternation as well as confusion in self-identity. With the application of the new media and from the Other’s viewpoint, we cooperate with an aboriginal artist on presenting aboriginal women’s memories of life and their alternation in identity and combine the creation with interactive media to experience the transformation and interaction of lives.